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ACF #35: The Man Who Shot Liberty Valance
The Great Western series continues. Prof. Marini and I move from the sacred law of the family–The Searchers–to the law of the city: Liberty Valance. We talk about love and law, nature and progress, the desert and the railroad, and the rest of the symbols and structures that stand out in John Ford’s best movie. Listen to our conversation, friends, and please share the podcast. If you prefer iTunes, go here, and please leave us a review/rating. You can also find us on stitcher and on pocketcasts.
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Yes–putting men to work for a better future is essential. The men like the work, the challenge, & the freedom the future brings. It’s something we have to work toward.
Vera Miles in Liberty Valance shows a lot of the manliness of American women & Ford shows a lot of role reversals for men & women–but it takes some knowledge of how they can love each other & be loyal to go through these changes, which are just part of American life. She’s the kind of strong woman American parents mostly want their girls to be, because they’ll have to fend for themselves. Unfortunately, when it comes to teaching similar resilience to boys, the whole damned country is drunk on the job… Americans won’t stay put & behave strictly according to rules–that’s America for you; but to deal with that mobility & motility, the education of the young has to be pretty strong on grasping what it means to have a soul, to act on a belief that’s fit for humans. Boys don’t get nearly enough of that.
Heh. I dunno. Gotta find someone wittier than me–not hard, I know–who loves Kubrick on comedy–there’s the rub.
But I’ll tell you something else. My friend @johnpresnall, who’s now on Ricochet, too, he & I were just talking about doing more Coppola after the Godfather trilogy–talk about Apocalypse Now, Homer, Conrad, & Coppola!