Tag: titus

ACF Europe #9: White

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| October 17, 2019

After Blue, we talk about White–after freedom, equality–the centerpiece of Krzystof Kieslowski’s Colors Trilogy! His theme is modern abandonment and so he looks at equality as the problem of revenge–getting even, dealing with dissatisfied desire in a hateful way, and all done through the forms of the law. This is the comic part of the trilogy, and yet it starts with a divorce in Paris and ends with prison in Warsaw. The Poland-France clash here points to the difficulties the EU would find trying to marry Western and Eastern European countries which are unequal in money, power, and politics–but equal in pride.

ACF Europe #8 Three Colors: Blue

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| October 11, 2019

So we’re doing a trilogy about the Colors Trilogy–Krzystof Kieslowski’s masterwork, and the end of his career. The least known of the Polish masters assumes the authority to tell Europe what the problem of reunification is–what the problem of the European Union is, in the terms of the French Revolution, whose tricolor replaced the aristocratic crests and Christian cross of medieval flags. Those three colors stand for Liberty, Equality, and Fraternity. We start with Freedom, of course–Paris, the beautiful Juliette Binoche, and our reliance on accident for insight.

ACF #33: Eyes Wide Shut

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| October 4, 2019

Friends, here’s our first Kubrick conversation–his last movie, Eyes Wide Shut, about the erotic temptations Tom Cruise and Nicole Kidman, I mean their characters, have to withstand at the turn of the millennium and how the spirit of Christmas might be replaced by a shocking and elusive conspiracy of elite perverts who dedicate themselves to restoring paganism!

ACF #32 The Hidden Fortress

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| September 29, 2019

Friends, here’s our second Kurosawa episode, after Rashomon: Jody Bottum and I talk about The Hidden Fortress, an extraordinary movie famous for inspiring George Lucas’s Star Wars, which was financed by Americans largely–through Lucas and Coppola’s efforts–and offers a rare mix of history and comedy, so that the tragedy of Japan can be brought to a hopeful conclusion. Toshiro Mifune gives his most sophisticated performance, ranging from scoundrel to legendary samurai, and alongside him we see a 16-year-old girl become a princess. We also talk about everything from Aristotle to Shakespeare to Austen and Dickens to John Wayne and John Ford!

ACF #31: Lady Vengeance

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| September 17, 2019

Today we’re concluding our conversations on Park Chan-wook, the most famous and successful director in South Korea, with the conclusion of his vengeance trilogy: Sympathy For Lady Vengeance. The protagonist is a femme fatale and a loving mother looking for justice and happiness, back to the virtues the harshness of pre-modern Korea cultivated in the situation of the modern new South Korea. This is a wonderful, if mostly tragic story, unusual, especially by American standards, and a show of the very different forms of storytelling in East Asia. My interlocutors are American professors — George Dunn teaching in China, and Peter Paik in South Korea. Listen and share, friends.

ACF #30: The Black Dahlia

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| September 5, 2019

After Chinatown, we turn to another wonderful neo-noir vision of the foundation of Los Angeles, or rather its turning into Hollywood, the dream factory: Brian De Palma’s parting shot to Hollywood, The Black Dahlia. The movie came out in 2006, had a great cast: Josh Hartnett, Aaron Eckhart, and Scarlett Johansson, was based on a James Ellroy novel, whose L.A. Confidential had wowed audiences and critics in 1997, and was filmed beautifully by Vilmos Zsigmond, who was nominated for the Oscar for his work. Nevertheless, the audience didn’t really love it and the critics even less–it’s a more tragic story about Americans chasing after beautiful dreams and finding a horrible cruelty hiding behind splendor. But it’s precisely this tragic character that makes the film so impressive.

Member Post

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| August 30, 2019

My conversation with Terry Teachout on Chinatown: Noir, neo-noir, and breaking the boundaries of genre to reflect on American history. We talked about John Huston and Jack Nicholson–old & new Hollywood, different versions of corruption, doom, tragedy. https://soundcloud.com/user-77539699/acf-critic-series-36-teachout-chinatown?in=user-77539699/sets/noir

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ACF #29: Scarface part 2

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| August 20, 2019

Today, @johnpresnall and I are wrapping up a discussion on tragedy — that is Scarface — with some political notes and also a view of the cycle of regimes presented by Socrates near the end of Plato’s Republic. Yeah, we’re working overtime to make the most despised or at least underrated of the masters, Brian De Palma, reveal his inner greatness. In the mean time, we’ll go to the shocking lengths of praising Oliver Stone and making a bit of fun of Sidney Lumet…

ACF #28: Scarface

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| August 16, 2019

The podcast’s going back to the great De Palma–our fifth, after The Untouchables, Blow Out, Body Double, and Carlito’s Way. You’ve got Al Pacino, cocaine, Miami, an Oliver Stone script, and the ’80s: So naturally everything goes crazy and turns into a tragedy. Scarface is both a rebuke to liberals who look at criminals as mere victims and to conservatives who look at them as failures. American liberalism–Jimmy Carter–invites immigrants on moral grounds; conservatism–capitalism–invites workers on economic grounds. But Scarface escapes both morality and business, revealing the weaknesses of an American society that cannot deal with the poor or with narco-capitalism.

ACF #27: Oldboy

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| August 10, 2019

Here’s another Eastern classic–after Kurosawa, a modern Korean movie by Park Chan-wook. George Dunn and Peter Paik and I discuss Oldboy, the centerpiece of the Vengeance trilogy, which won Park the Palme d’Or in Cannes. Korea’s transformation into a prosperous democracy and Oh Dae Su’s transformation into a superman go together to first conceal and then reveal the dark secret at the foundation of civil society: The sacred law on which politics is based is the family, which must obey public laws. This is tragedy in a modern setting, moving between the epitome of wealth and the underworld of crime, incredibly violent, but also strangely hopeful about the possibility of reestablishing civilization.

ACF #26: Kurosawa, Rashomon

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| July 31, 2019

Here’s our first Kurosawa podcast–Rashomon, one of the master’s early Oscar nominations, a sign of the openness of Hollywood to great moviemaking elsewhere. The movie is still near the top 100 on IMDb, which I take as a sign that American film lovers nowadays also sense its greatness–in the beautiful cinematography and acting, and above all in the poetic device. This podcast also gives me an opportunity to introduce a new contributor, Molly McGrath, who teaches philosophy at Assumption College and now and then writes on movies, always with force and insight.

ACF PoMoCon #6: Ben Sixsmith on Twitter Culture

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| July 23, 2019

Culture in the age of social media–here’s my conversation with writer Ben Sixsmith about the vast democratization of communications brought about by digital technology and the vast concentration of the public space in a handful of corporations. It’s not made us happy and good, but instead created new political conflicts and social drama. It’s an interesting time, but hardly bearable–so you might like some thoughts on Twitter, YouTube, and various other observations about what it’s like to be human plus digital. Also, if you’re interested in a fine read on British-Polish relations, Ben’s book is the thing for you!

ACF #25: Hitchcock, I Confess

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| July 17, 2019

More summer viewings? Here’s my podcast with Eric Cook on Hitchcock’s Catholic movie, I Confess, about the conflict between justice and faith, public and private, secular law and holy men, police investigation and the seal of secrecy in confession.

ACF#24: Strangers on A Train

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| July 13, 2019

Time for summer viewings. Here’s an entry in our ongoing series on Hitchcock–the 1951 hit that made Hitchcock popular again, Strangers On A Train, kind of companion piece to Rope. Both are movies about murders committed out of enlightened immorality, one set among education elites in New York, the other among political elites in Washington. Both stories are about social climbers who have to face up to the ugliness of the elites they want to join and, therefore, warn of the problems post-war liberalism will face.

ACF Critic Series #35: Deadwood

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| July 3, 2019

Just in time for the 4th, here’s an odd celebration of American freedom: I talked to Paul Cantor talk about David Milch’s most famous achievement, Deadwood–the movie and the TV show. A Western, lawless, but orderly vision of America. An America with commerce but without religion, with freedom but without equality–what kind of community and what kind of justice are possible in such a situation? Something piratical, un-Puritan.

ACF Critic Series #34 Alan Moore

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| June 26, 2019

This week, I’m joined again by my friend Peter Paik, Professor at University of Wisconsin in Milwaukee and at Yonsei University in Seoul, author of a book on pop-culture visions of radical political change that’s most timely: From Utopia To Apocalypse.

Peter and I talk about the comic books of Alan Moore, the main subject of his book: Watchmen, made into a movie by Zack Snyder and now about to become an HBO series; V for Vendetta, made into a movie by the Wachowskis, the Matrix creators; From Hell, made into a movie by the Hughes brothers, starring Johnny Depp; and Miracleman, a Cold-War-to-End-of-History story that has not yet been adapted.

ACF Critic Series #33: Citizen Kane, Part 2

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| June 20, 2019

This week, Telly Davidson and I wrap up our conversation on Orson Welles’ Citizen Kane–the tyrannic soul who wants to be loved by everyone, erotic longings that slip the bounds of nature, and the failure of friendship to limit madness. We talk about the problems of love and friendship, but also about politics and media, or how tyranny shows up in the age of Progress.

ACF Critic Series #32: Citizen Kane

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| June 13, 2019

For the two-year anniversary of the podcast, here’s Citizen Kane. We talk media moguls and politics; radio, TV, and Trump; democratic reform and the tyrannic soul; Progress and Eros. Here’s, for once, a defense of Orson Welles’s political wit, not movie magic! I talk to Telly Davidson, another of the few conservatives in Hollywood– a critic, author, and man toiling away in production. His most recent book is Culture War about, you guessed it, the ’90s, when the seeds were planted of the whirlwind keeping things interesting now. We’ll talk about it on our next podcast!

ACF Pomocon #5: Education

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| June 7, 2019

Today, I interview Spotted Toad, of Twitter fame, about his book on education. He now works in public policy research, a moderately quant guy, as he says–but he was once an idealistic Teach For America kinda guy, who taught the sciences for ten years in public schools in New York and then upstate, among the poor as well as the well to do, in different communities and different periods of the ongoing failure of Progressive education reform. He eventually wrote a lovely, all-American, Emersonian book of reflections on his experience and you can buy it for 99 cents on Amazon as e-book and read it in an afternoon. It’s intelligent and poetic at the same time, devoid of narcissism, and serious about the problems a young teacher faces. This is the sort of conservatism I think we should encourage and so this is me doing my part!

ACF Critic Series #31 North By Northwest

By Titus Techera

Executive Director, American Cinema Foundation. Contributor: National Review, Law&Liberty, American Conservative, The Federalist, Modern Age, University Bookman.

| May 30, 2019

Terry Teachout and I talk about North By Northwest, or marriage in modern America. What would it take for a noir hero, betrayed by a beautiful woman, to make his way from thriller back to romance by way of comedy?

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