Farewell, My Lovely NPR

 

1

My office door says “Uri Berliner, Private Detective.” There was a nervous little guy coming in through it.

“I heard that you’re lookin’ for NPR’s Susan Stamberg,” he said.

“You heard that?” I replied. “What’s it to you?”

“I saw her today. She was lying in a pool of something wet and red.”

“Blood?” I suggested helpfully, using my finely honed detective skills.

He sniggered. “Well, it wasn’t her mama’s famous cranberry relish.”

I smiled, but not with my eyes. “And you are …?”

“Let’s just say I’m from NPR Noir,” he said. “It’s sort of a … well, an affinity group, you might say.”

“Thanks, pal,” I said, taking a sawbuck out of my pocket and the office bottle out of its drawer. “Let’s shoot the breeze.”

2

The night was dark and rainy. But the neon sign was bright.

It said “NPR Club.” I left my fedora with the hat-check girl, but declined her offer of a tote bag.

The club had changed. It used to be a place where people could catch up, hear some music, maybe have a few laughs.

The crowd was thinner now. And it had way too many cheap racketeers, sleazy grifters, and dime-a-dance dollies.

But no one made a sound as Katherine, bathed in a spotlight and a slinky gown, sang.

After the applause, she sat down at my table. Her smile and voice were as sultry as ever.

“Hello, Uri. It’s been a while. Am I still your little songbird?”

“I still like the way you tweet, baby. Ever hear of a dame named Stamberg?”

Her eyes glanced around. “Berliner … look.”

Walking toward us were two tough-looking mugs in oil-stained suits. The Magliozzi brothers, Click and Clack.

Clack laid a beefy paw on my shoulder. “The Big Guy wants to see you in his office. Now.”

3

The Big Guy’s office was on the top floor. It was filled with the medical devices that kept the old man alive, if barely.

His sniveling coke-head son and some crazy dame were keeping him company. She let out a shrieking cackle and offered me a cigarette.

“Berliner,” the old man whispered breathlessly. “You don’t really want to know about Susan Stamberg.”

“I heard that things have changed since she … left,” I replied.

The old man gave me a smarmy grin. “She’s with her friends – Bob Siegel, Carl Kassel. All the old crew.”

The coke-head giggled and sniffed. The crazy dame chuckled maniacally.

“Some people miss them.”

Suddenly the old man was shouting. “Malarky! And you don’t want to know how high this thing goes!”

I took a deep drag on my cig. “City Hall?”

“The Corporation for Public Broadcasting!” he croaked. Then the coke-head took out his blackjack, and a bottomless pit opened up before me.

4

When I came to, I was looking into Katherine’s face.

She was still a vision. But her eyes were hard. She wasn’t smiling now, and her voice was anything but sultry.

“Who hired you, Berliner?”

“That’s confidential, baby. Just like the tax returns where I used to deduct my Pledge Week contributions.”

She shuddered. “Don’t Pledge Week me. We don’t like to beg for money.”

“You don’t have too many fans to beg from these days.”

Her smile came back. This time it was cold.

“Who cares? As long as they keep paying. You see, we still care a lot about those taxes.”

She nodded to Click and Clack. “Open the window, boys. Let’s see how Mr. Berliner likes being suspended.”

5

It was time for me to take a powder.

I slugged one of the Magliozzis and bolted for the back stairs. A minute later I was through the service door and out into the alley.

Now I’m on the lam. Where to go?

The papers? Don’t make me laugh.

The DA? There’s no evidence. Even if there was, I’m probably the one who would end up under the hot lights.

Suddenly there was a shot. A bullet ricocheted off the brick wall behind me.

“Ricochet,” I thought.  I ducked around the corner, hunched up my trench coat, and headed into the night.

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  1. Fractad Coolidge
    Fractad
    @TWert

    This is great. Your Raymond Chandler style is spot-on.

    • #1
  2. Bob Thompson Member
    Bob Thompson
    @BobThompson

    Fractad (View Comment):

    This is great. Your Raymond Chandler style is spot-on.

    And Welcome to Ricochet>

    • #2
  3. Mark Camp Member
    Mark Camp
    @MarkCamp

    People, it seems we finally have another David What-was-his name! This, after a long trek through the Sinai, choking on the dust of would-be satirists.

    I don’t know the real-life story whence this piece cometh, but not irregardless (i.e., regardless…Pedants: it’s humor; re-read it carefully this time before Commenting) it was done to perfection and I enjoyed it greatly, after holding my breath in dread for a couple sentences, waiting for the dull-witted un-self-awareness to start.

    And I have my Personal Assistant looking up the old NPR crew, including Susan Stamberg, to see if we can get up to speed. I am vaguely conscious that there I have been good people at NPR over the years, especially on the cultural side. But I wasn’t aware of them being rubbed out by the new Stasi.

    • #3
  4. Paul Stinchfield Member
    Paul Stinchfield
    @PaulStinchfield

    KCK: It said “NPR Club.” I left my fedora with the hat-check girl, but declined her offer of a tote bag.

    Heh.

    • #4
  5. Randy Weivoda Moderator
    Randy Weivoda
    @RandyWeivoda

    Marvelous post!  Welcome to Ricochet, KCK, and I hope we see more like this.

    • #5
  6. Old Bathos Member
    Old Bathos
    @OldBathos

    My proposed new slot on NPR where I say the same things over and over but in a different style–all written by AI.  I suspect there is very little left on NPR that could not be improved if replaced entirely by an AI.

    Here is a critique of capitalism by ChatGPT written in the style of Mickey Spillane:

    Listen here, see? Capitalism, it’s like a dame with a two-timing heart, promising you the world but leaving you with an empty pocket and a busted soul. It’s a racket, a hustle where the big shots get richer while the little guys sweat and bleed for crumbs. You got these fat cats sitting in their penthouses, counting their stacks while the streets below burn with desperation.

    See, in this game, the rules are rigged from the get-go. It’s all about who’s got the gold, and if you ain’t got it, tough luck, pal. The system’s got you by the throat, squeezing every last drop of sweat and blood till you’re nothing but a cog in the machine.

    And don’t get me started on the inequality, see? You got folks living it up in their mansions while others can’t even afford a decent meal. That ain’t right, that ain’t fair. But capitalism don’t give a damn about fair. It’s all about the bottom line, profits over people, every damn time.

    Sure, some folks make it big in this dog-eat-dog world. But for every success story, there’s a hundred more left behind in the dust. It’s a cruel game, where the winners take all and the losers are left to fend for themselves.

    So yeah, capitalism might line the pockets of the few, but it leaves the rest of us out in the cold, struggling to make ends meet in a world that’s stacked against us. And that, my friend, is one hell of a raw deal.

    Next Week:  Why Donald Trump is Hitler by William Shakespeare. Check your local listings.

    • #6
  7. KCK Member
    KCK
    @KCK

    Old Bathos (View Comment):

    My proposed new slot on NPR where I say the same things over and over but in a different style–all written by AI. I suspect there is very little left on NPR that could not be improved if replaced entirely by an AI.

    Here is a critique of capitalism by ChatGPT written in the style of Mickey Spillane:

    Listen here, see? Capitalism, it’s like a dame with a two-timing heart, promising you the world but leaving you with an empty pocket and a busted soul. It’s a racket, a hustle where the big shots get richer while the little guys sweat and bleed for crumbs. You got these fat cats sitting in their penthouses, counting their stacks while the streets below burn with desperation.

    See, in this game, the rules are rigged from the get-go. It’s all about who’s got the gold, and if you ain’t got it, tough luck, pal. The system’s got you by the throat, squeezing every last drop of sweat and blood till you’re nothing but a cog in the machine.

    And don’t get me started on the inequality, see? You got folks living it up in their mansions while others can’t even afford a decent meal. That ain’t right, that ain’t fair. But capitalism don’t give a damn about fair. It’s all about the bottom line, profits over people, every damn time.

    Sure, some folks make it big in this dog-eat-dog world. But for every success story, there’s a hundred more left behind in the dust. It’s a cruel game, where the winners take all and the losers are left to fend for themselves.

    So yeah, capitalism might line the pockets of the few, but it leaves the rest of us out in the cold, struggling to make ends meet in a world that’s stacked against us. And that, my friend, is one hell of a raw deal.

    Next Week: Why Donald Trump is Hitler by William Shakespeare. Check your local listings.

    Interesting, but I still prefer the real Mickey Spillane, Peace and Blessings Be Upon Him.

    Looking forward to hearing you on NPR. But instead of doing it in different styles, it’s important to stick to the NPR Voice – quiet, empathetic, sensitive, and very, very close to the microphone. Basically the opposite of Howard Cosell. 

    • #7
  8. Mark Camp Member
    Mark Camp
    @MarkCamp

    KCK (View Comment):

    Looking forward to hearing you on NPR. But instead of doing it in different styles, it’s important to stick to the NPR Voice – quiet, empathetic, sensitive, and very, very close to the microphone.

    That’s  like saying to a young Rodney Dangerfield, “I look forward to seeing your comedy on Johnny Carson. But instead of prefacing each gag with ‘I don’t get no respect’, it’s  important to do it in the style of Jonathan Winters.” 

    If he does NPR in the same style, he has no product, and he never gets past the receptionist at NPR.

    In show business, you got to have a schtick, or you are Ramada Inn, Evansville, Indiana. You are nobody.

     

    • #8
  9. Old Bathos Member
    Old Bathos
    @OldBathos

    Mark Camp (View Comment):

    KCK (View Comment):

    Looking forward to hearing you on NPR. But instead of doing it in different styles, it’s important to stick to the NPR Voice – quiet, empathetic, sensitive, and very, very close to the microphone.

    That’s like saying to a young Rodney Dangerfield, “I look forward to seeing your comedy on Johnny Carson. But instead of prefacing each gag with ‘I don’t get no respect’, it’s important to do it in the style of Jonathan Winters.”

    If he does NPR in the same style, he has no product, and he never gets past the receptionist at NPR.

    In show business, you got to have a schtick, or you are Ramada Inn, Evansville, Indiana. You are nobody.

     

    What about weekly segments of AI doing Rodney Dangerfield’s review of Shakespearean plays? First,  Othello:

    “Othello, huh? Let me tell ya, folks, that play’s got more drama than my last family reunion! I mean, you got this guy, Othello, he’s a general, right? But he can’t catch a break! Iago’s out there schemin’ like it’s his day job, messin’ with his head. Poor Othello’s just trying to keep his marriage together, and next thing you know, it’s all jealousy and betrayal! I tell ya, if Othello had come to me for advice, I’d say, ‘Hey, buddy, just chill out and trust your wife!’ But then again, without all that drama, we wouldn’t have a play, right? No respect, I tell ya, no respect at all!”

    • #9
  10. Mark Camp Member
    Mark Camp
    @MarkCamp

    Old Bathos (View Comment):

    Mark Camp (View Comment):

    KCK (View Comment):

    Looking forward to hearing you on NPR. But instead of doing it in different styles, it’s important to stick to the NPR Voice – quiet, empathetic, sensitive, and very, very close to the microphone.

    That’s like saying to a young Rodney Dangerfield, “I look forward to seeing your comedy on Johnny Carson. But instead of prefacing each gag with ‘I don’t get no respect’, it’s important to do it in the style of Jonathan Winters.”

    If he does NPR in the same style, he has no product, and he never gets past the receptionist at NPR.

    In show business, you got to have a schtick, or you are Ramada Inn, Evansville, Indiana. You are nobody.

     

    What about weekly segments of AI doing Rodney Dangerfield’s review of Shakespearean plays? First, Othello:

    “Othello, huh? Let me tell ya, folks, that play’s got more drama than my last family reunion! I mean, you got this guy, Othello, he’s a general, right? But he can’t catch a break! Iago’s out there schemin’ like it’s his day job, messin’ with his head. Poor Othello’s just trying to keep his marriage together, and next thing you know, it’s all jealousy and betrayal! I tell ya, if Othello had come to me for advice, I’d say, ‘Hey, buddy, just chill out and trust your wife!’ But then again, without all that drama, we wouldn’t have a play, right? No respect, I tell ya, no respect at all!”

    See? Dat’s what I’m TALKIN’ about!  Send me a 90 second demo, Bathos-man, and I will have every cable outlet in the country trying to slash the tires of all the others trying to get to my office first and win the contract. 15% off the top, and it will be the best 15% you ever spent!

    • #10
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