Tag: Denis Villeneuve

Movie Review: Dune

 

I got dragged to see the new adaptation of Dune, and it sucked. The movie takes place a million years in the future when everyone is a brooding bore who can’t speak above a whisper. It has less color than if it were shot in black and white.

I get it. Twenty minutes in, I wanted to scream, “I get it!” This is capital-S Serious cinema. Director Denis Villeneuve worked with a $165 million budget to make a blockbuster action movie based on a popular IP, but he wants you to know at heart he’s an impoverished artist who will bring his vision to the screen no matter what. He’s part of the 1% (you could place him in an even more impressive fraction of that percent if you want to do the math) and the payout from Dune will afford him another mansion, but fear not he’s as much an artist as the director who lives off ramen and sells his belongings to fund his weird arthouse project. Hence the entire cast speaks in hushed tones with the solemnity of a child’s funeral. I wanted every character to die, but even had they, how would that change their performances?

ACF Middlebrow #6: Paul Rahe

 

The ACF Middlebrow podcast continues with Hillsdale Professor Paul Rahe! We discuss the film he most assigns in class, Coppola and Puzo’s The Godfather, and the perfect introduction for young American college students to the study of different regimes, ancient and modern. We answer the question: How did the Martin Scorsese movie Silence inspire the professor to think about Western politics and the dichotomy between Caesar and Christ? Listen, comment, and share, folks! Please review & rate us on iTunes!

ACF#19: Blade Runner 2049

 

This week, Pete and I complete our discussion of Blade Runner. We want especially to attract your attention to the shifts in the questions meant to define humanity. The original film featured replicants who thought they were human; now we see replicants who don’t think they’re human. Questions about soul, the interior, secretive part of the rational, mortal being that we are are replaced by questions of birth and funeral–getting at the family and religion, which define our humanity. We also talk about director Denis Villeneuve, whose previous movie, Arrival, was also very much pro-life.

Member Post

 

In the PIT, we had a good fight about movie criticism & what there is to criticize about American movies. Maybe you’re interested in seeing some movies made in America, usually about parts of America you don’t see in every spectacle–stuff that’s not the sort of ‘in the future, we’ll all be liberals pretending to […]

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