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Archaeology has been a serious science for 150 years. Over that period, scientists have discovered how people lived in bygone eras. At one level, modern archaeology involves tedium, a slow, patient unravelling of clues to the past. Some archaeologists want to go beyond just learning about the past. They itch to experience the past they are studying.
Dinner with King Tut: How Rogue Archaeologists Are Re-creating the Sights, Sounds, Smells, and Tastes of Lost Civilizations, by Sam Kean, scratches that itch. It explores experimental archaeology, investigating the past by experiencing it.
Experimental archaeology is sometimes called experiential or living archaeology. It goes beyond the static sights of standard archaeology. It examines smells, tastes, and sounds of the past. It recreates the past in the present using era-appropriate technology. Participants dress in deer hides, prepare food, brew beer, and live using traditional methods. As Kean shows, it is a bit of a rogue field, gonzo archaeology, looked down upon by many traditional archaeologists.
Kean is fascinated by it. In this book, he takes readers with him into eleven different periods of the past, from Paleolithic Africa, circa 75,000 BC, to 16th-century Mexico in the age of the Aztecs and Conquistadors. In between these bookends, Kean visits Neolithic South America and Turkey, ancient Egypt, Polynesia, and Rome, and Medieval California, Viking Europe, Alaska, and China. At each stop, he explores the civilization visited.
Each chapter explores the lives of those living in that time and place with non-fiction. This includes a discussion of what conventional archaeology has uncovered, mixed with experimental archaeology of each place. The experimental archaeological excursions are varied. They include making a Paleolithic dust bed, making (and eating) bread using ancient Egyptian techniques, learning how to raise blocks to build an Egyptian pyramid, firing Medieval trebuchets and cannon, and playing an Aztec ball game.
He intersperses each chapter with a fictional retelling of life in the period, using an inhabitant for the point of view. This character might be a hunter, a farmer, a slave, a craftsperson, or a warrior of the era. The fictionalized retelling parallels the non-fiction discussion, reinforcing the points made.
Dinner with King Tut is both informative and entertaining. Kean brings each place visited to life. His enthusiasm is clear as he participates in each experimental archeological activity. This is a book for anyone with a bit of Walter Mitty inside them.
This review was written by Mark Lardas, who writes at Ricochet as Seawriter. Mark Lardas, an engineer, freelance writer, historian, and model-maker, lives in League City, TX. His website is marklardas.com.
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Discussion (8)
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I have seen many examples of this sort of thing. I'm not sure that any I have seen would be considered gonzo or suspect in any way, but maybe I have been missing the fun.
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I think I probably saw enough of what might be "Dinner With King Tut" in "Indiana Jones and the Temple of Doom."
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For your consideration:
amazon.com
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I've tried a couple of recipes from it, and they are all much more appetizing than kedavis would imagine.
Max Miller has a Youtube channel, and I really like his videos. He doesn't let politics interfere with his subject matter, which is fortunate.
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Well, I'm not surprised that a current-day cookbook wouldn't include recipes for eyeball soup.
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I'm fascinated by these things. I wonder whether a trip to the movie theater or Automat in the winter 1925 would hit you with the aromas of musty coats, BO, and cigar smoke.
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