Chandler’s The Little Sister - Beware of Prim Women Wearing Rimless Glasses

I've become a big fan of Raymond Chandler's hard-boiled novels featuring his private eye, Philip Marlowe. I previously reviewed his fourth book, The Lady In The Lake, and The Little Sister, published in 1949, continues Chandler's bleak and disillusioned perspective on the seamy side of Los Angeles and its surrounding towns.

It opens with Marlowe alone in his office. A woman calls him on the phone, asking him to find her missing brother. He insists on seeing her in person, which she resists, but eventually gives in. She is Orfamay Quest, and, as Marlowe describes her,

She was a small, neat, rather prissy-looking girl with primly smooth brown hair and rimless glasses. RAYMOND CHANDLER. The Little Sister (Kindle Locations 229-230). Delphi Classics. Kindle Edition.

She has come all the way out to California from Manhattan, Kansas, because her brother, Orrin - who, she assures Marlowe, would never get into any kind of trouble - stopped sending weekly letters to her and their mother. Marlowe is naturally suspicious of Orfamay's story, but he agrees to take on her case for twenty dollars.

What follows is a very complicated situation involving mobsters from Cleveland, corrupt cops, Hollywood B-listers, a doctor who supplies them with drugs, and a murderer who likes to kill by stabbing his (or her) victims in the neck with an ice pick. Suffice it to say that no one is particularly innocent and Marlowe's natural cynicism is fully justified.

And yet, even in the most dangerous and tempting circumstances, Marlowe clings to his code of honor: refusing to take bribes, stating the truth to the police even when it puts himself in danger, and resisting the blandishments of a beautiful Hollywood actress. He knows he won't get rewarded for his virtue, but like a medieval knight pledged to behave chivalrously, he never gives in.

As in The Lady In The Lake, one of my favorite ingredients of Chandler's style is his deadpan humor. Here are a few examples:

I got my wallet out and handed him one of my business cards. He read it thoughtfully and tapped the edge against his porcelain crown.
“He coulda went somewhere without telling me,” he mused.
“Your grammar,” I said, “is almost as loose as your toupee.”
“You lay off my toupee, if you know what’s good for you,” he shouted.
“I wasn’t going to eat it,” I said. “I’m not that hungry.”
He took a step towards me, and dropped his right shoulder. A scowl of fury dropped his lip almost as far.
“Don’t hit me. I’m insured,” I told him.
“Oh hell. Just another screwball.” He shrugged and put his lip back up on his face.
RAYMOND CHANDLER. The Little Sister (Kindle Locations 571-577). Delphi Classics. Kindle Edition.

A fat man in sky-blue pants was closing the door with that beautiful leisure only fat men ever achieve. He wasn’t alone, but I looked at him first. He was a large man and wide. Not young nor handsome, but he looked durable. Above the sky-blue gabardine slacks he wore a two-tone leisure jacket which would have been revolting on a zebra. The neck of his canary-yellow shirt was open wide, which it had to be if his neck was going to get out. He was hatless and his large head was decorated with a reasonable amount of pale salmon-colored hair. His nose had been broken but well set and it hadn’t been a collector’s item in the first place.
RAYMOND CHANDLER. The Little Sister (Kindle Locations 1364-1368). Delphi Classics. Kindle Edition.

The boss mortician fluttered around making elegant little gestures and body movements as graceful as a Chopin ending. His composed gray face was long enough to wrap twice around his neck.
RAYMOND CHANDLER. The Little Sister (Kindle Locations 2162-2163). Delphi Classics. Kindle Edition.

And, of course, there are plenty of wonderfully descriptive similes to set the mood:

Her voice was as cool as boarding-house soup.
RAYMOND CHANDLER. The Little Sister (Kindle Location 683). Delphi Classics. Kindle Edition.

She had a low lingering voice with a sort of moist caress in it like a damp bath towel.
RAYMOND CHANDLER. The Little Sister (Kindle Locations 795-796). Delphi Classics. Kindle Edition.

I smelled Los Angeles before I got to it. It smelled stale and old like a living room that had been closed too long.
RAYMOND CHANDLER. The Little Sister (Kindle Locations 1338-1339). Delphi Classics. Kindle Edition.

I took the wrinkles out of my lips and said aloud:
“Hello again. Anybody here needing a detective?”
Nothing answered me, not even a stand-in for an echo. The sound of my voice fell on silence like a tired head on a swansdown pillow.
RAYMOND CHANDLER. The Little Sister (Kindle Locations 2985-2987). Delphi Classics. Kindle Edition.

Either you love this stuff, or you don't. I think it's great - despite Marlowe's world-weariness, he loves LA and the losers who populate its seediest neighborhoods. He knows one man can't make much difference in the world, but he never gives up trying.

Chandler wrote The Little Sister after he had had some very frustrating experiences as a screenwriter in Hollywood, and his contempt for Tinseltown is as clear as a bell. (Or maybe like "two dead fish in the silt at the bottom of a drained pool," to borrow a simile!) The plot is difficult to unravel at times, and just when I thought I had things figured out, he throws a curveball to surprise. That said, the ending is very good, and I would rank The Little Sister as one of Chandler's best.