Get the Ricochet app
Ricochet will work fine in a browser on your mobile devices, but for the best experience please download our app.

The Ricochet Podcast
3 Whisky Happy Hour
Beyond the Polls
GLoP Culture
Daily Signal
The Erick Erickson Show
Federalist Radio Hour
Not Dead Yet
Heritage Explains
Chicks on The Right
3 Martini Lunch
Call Me Back - with Dan Senor
The Learning Curve
The American Idea
The Radio Free Hillsdale Hour
Hillsdale Dialogues
Madison’s Notes
Mom Wars
What the Hell Is Going On
Parsing Immigration Policy
Freedom to Learn
Conservative Crossroads with Henry Olsen
The Conservative Woman’s Guide
Law Talk with Epstein, Yoo & Cooke
Giving Ventures
Who Funds that?
The Back of the Book
The Kevin Roberts Show with Larry O’Connor
Gray Matters
The Report Card with Nat Malkus
The Glenn Show
The Libertarian
Martini Shot
The Dave Carter Show
The Powerline Show
In Dissent
Heard at Heritage
Smart Girl Politics
James Lileks’ The Diner
Case in Point: The Legal Show on the Hottest Legal Cases in Politics and Culture
JobMakers
One on One with Robert DoarRicochet will work fine in a browser on your mobile devices, but for the best experience please download our app.
When World War II started newspapers and magazines were at a zenith in American culture. US military leaders, including George C. Marshall, decided the Army needed its own newspapers and magazines to inform troops. Surprisingly, they gave the GIs running the publications a remarkable freedom to report as they saw fit.
“The War of Words: How America's GI Journalists Battled Censorship and Propaganda to Help Win World War II,” by Molly Guptill Manning, tells the story of the GI press in World War II. It shows they were a weapon leading to US victory as much as the tanks and artillery wielded by the GIs.
Manning makes Marshall the champion of the GI newspaper. She also shows why. Marshall understood morale’s importance. He believed keeping GIs uninformed, with no place to gripe, contributed to low morale. The book shows how and why Roosevelt supported Marshall. She shows how the Nazis harnessed propaganda to further their efforts. Marshall and Roosevelt believed a patriotic free press within the US military would counter that.
By war’s end, over 4,600 separate GI periodicals appeared, including newspapers and magazines published at the post, divisional, and theater level. Some, like Stars and Stripes and Airman, had worldwide reach. Others like the Camp Bowie Blade were strictly local. A few, like 45th Division News, had tremendous impact. Famed war cartoonist Bill Mauldin started there.
Manning shows the correspondents at work, occasionally under fire, to gather news and write it up for their publications. Some were newspapermen before the war, willing to ply their prewar trade along their GI responsibilities. Others, like Andy Rooney, picked up reporting in the army and continued in civilian life.
Manning traces the effects of these publications on the men who fought in World War II. She uncovers the effort required to produce them. It required a massive allocation of paper and ink. Printing presses and reproduction equipment had to be secured and shipped. She also shows the varying levels of support offered by different commanders. General Eisenhower favored the papers and gave those under his command wide press freedom. General McArthur disliked giving GIs any latitude to print anything at variance with McArthur’s view of what should be said.
“The War of Words” is a fascinating look at the US press and US military during World War II. It focuses attention on an overlooked aspect of the US military in that war.
This review was written by Mark Lardas, who writes at Ricochet as Seawriter. Mark Lardas, an engineer, freelance writer, historian, and model-maker, lives in League City, TX. His website is marklardas.com.
Promoted by an EditorThis post was promoted to the Main Feed by an editor.
Discussion (5)
CHARTER MEMBER
To read this bio, please join Ricochet.
This is Mauldin's Pulitzer Prize winning cartoon for 1945.
CHARTER MEMBER
To read this bio, please join Ricochet.
SSgt. Charles Schultz, 20th Armored Division, was a big fan of Willie and Joe, the otherwise anonymous main characters of his cartoons. He studied Mauldin's work carefully. Though he might not have had the same level of draftsmanship, he did okay and after the war he and Mauldin communicated frequently.
To read this bio, please join Ricochet.
Thx. Now that I know about it I'm going to get that, maybe on audio.
To read this bio, please join Ricochet.
Are there photos that would make me wish I had a print version?
CONTRIBUTOR
To read this bio, please join Ricochet.
I don't know. The copy I had was a pre-publication electronic review copy with no pictures. (That's pretty common.) There is no way for me know how much images added to the book, so I cannot make a judgement.