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I chose this song for several reasons. It's a classic in the sense that it still holds up, is a song that is well-known (one reactor labeled it 'elevator music' - but in the best sense) and is generally under appreciated.
The structure of this pop song is worth exploring.
Intro (a partial hook from the chorus)
Verse I: we drop into the middle of a man's thoughts. One remarkable aspect is the verse doesn't try to rhyme which was strange in those days - it's more narration, setting the feeling.
Chorus: the musical hook the message We still really don't know what the song is about but the music carries us
Verse II more exposition and still mysterious, yet we feel this man's sentiment
Chorus emphasizing the message again
Instrumental: The guitar takes us away, gives us time to feel and launches beautifully into the bridge
Bridge: This is the crux, the meta-message, a climax of expression
You tell yourself you're not my kind
But you don't even know your mind
And you can have a change of heart
Chorus: Now we know more background with more emphasis
Outro
The piano is the star of this song, along with the vocals of course.
When appreciating music it's useful to approach listening from various instruments as a basis of interpretation, which brings different perspectives. Here is a bass tutorial that allows us access to one such perspective.
Another reason I chose this song is I am learning piano. I'm a rank beginner and stumbled on this song, and I'd like to play it. I already play violin and (still learning, but far from a beginner) I actually like the learning process.
There are some things about piano that us violinists are quite jealous of. All you have to do is press the right button and the note resounds clearly and perfectly pitched. This one thing takes years on a violin. The keyboard is laid-out simply and musical notation is designed for piano. But other things are much more challenging, left hand/right hand syncopation is difficult, you are using all ten fingers as opposed to just 4 of the left hand (although bowing with the right hand provides other challenges -but many many rewards a pianist can't possibly articulate).
So I include this:
I love reaction videos of songs I like, here's one of many by guys who know music
This is a great song by itself but Steely Dan wrote and recorded many songs I like even more, but are more obscure and were never 'hits'. Below is my view...thanks for reading!
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Discussion (11)
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Give a listen to the opening:
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It's a great song, but for the anniversary of The Insurrection I couldn't think of anything but "We're Not Gonna Take It" by Twisted Sister.
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Oh, and @RandyWebster
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“Rikki…” is such a great song… whenever I’m listening to the radio while driving, I never skip a station that’s playing anything by Steely Dan and it’s often “Rikki Don’t Lose That Number.”
Steely Dan facts:
1. In any of their incarnations over the decades, their musicianship is impeccable. The guitars, every song almost, are amazing.
2. The songs are almost always about drugs, sex, and rock and roll, in that order. So… hey, nineteen! Riding the dragon tonight with Kid Charlemagne, eh?
3. You would be embarrassed telling anyone under the age of 40 where they got their name.
I recently learned that the song "Only a Fool Would Say That" was about John Lennon's song "Imagine", proving just because you write songs about drugs and rock and roll doesn't mean you're an idiot - or a fool.
Kid Charlemagne is one of my favorite songs Is there gas in the car? I think the people down the hall know who you are
And the killer guitar solo by Larry Carlton... Almost every song is about sex - only they use the nice term, "love"
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