Roxana Robinson on Georgia O’Keeffe, Mother of American Modernist Painting

In celebration of Women’s History Month, this week’s episode of The Learning Curve, co-hosts U-Ark Prof. Albert Cheng and MassPotential’s Mary Tamer speak with Roxana Robinson to honor the extraordinary life and legacy of Georgia O’Keeffe, the pioneering artist often called the “Mother of American Modernism.” Drawing from Robinson’s 1989 biography Georgia O'Keeffe: A Life, she traces O’Keeffe’s life from the farmlands of Sun Prairie, Wisconsin to the bustling cultural landscape of early 20th-century New York City and to North Central New Mexico. The artist’s reverence for natural landscapes, color, and light was shaped by her rural Midwestern upbringing and formal artistic training in Virginia. Robinson explains how O’Keeffe’s stark transition to city life is reflected in her artwork, which often explores the line between modernism and traditional landscape painting. O’Keeffe’s personal and professional relationship with celebrated photographer and art dealer Alfred Stieglitz marked another major turning point in her life and career. While Stieglitz championed her artistic talent, O’Keeffe also became the subject of more than 350 of his photographic portraits—some sparking public acclaim and controversy, while also helping shape her carefully constructed public image. Ms. Robinson further explores O’Keeffe’s most famous works including Cow's Skull: Red, White, and Blue and Ram's Head, White Hollyhock – Hills, as well as her large-scale, magnified floral paintings, Jimson Weed/White Flower No. 1 and Red Canna. From O’Keeffe’s early abstract experiments to her late-life desert visions, Robinson shares how the artist’s expansive body of work reshaped American art and left a legacy that continues to inspire artists, scholars, and students in the 21st century. She closes with a reading from her book Georgia O'Keeffe: A Life.