Tag: wonderwoman

Contributor Post Created with Sketch. ACF Middlebrow #9: Justice League


My friend Pete Spiliakos and I bring you a discussion of one of the few truly interesting recent cinematic events, Justice League. This was an example of the conflict between artists and businessmen. Zack Snyder, one of the lonely few examplars of first-rate Hollywood talent, had his work destroyed by a studio Warner Bros / DC hellbent on suicide. Warner had the greatest team in Hollywood working on their superhero movies–Christopher Nolan (as writer and director, also with his brother Jonathan in the writing role) and Zack Snyder. The only men who have any grasp on the epic and the tragic as genres and insights. They also made billions of dollars for the studio. So naturally, the studio destroyed their work. Listen and marvel with us at the good, the bad, and the very bad, and the worse.


Contributor Post Created with Sketch. ACF #13 Political Conflict in Marvel and DC


I’m back with the second part of my long conversation with my friend Pete Spiliakos. We talked about girls becoming women in despite of society in ’80s movies last time. In the most surprising way, Pete picked horror movies to show social and psychological realism. Well, he hit it out of the park there, but then our conversation veered to the aesthetic, dramatic art and the political implications of the new business model of sequels and franchises. Like it or not, in an age of sequels and franchises, it’s no longer feasible to ignore the problem of sucky sequels.


Contributor Post Created with Sketch. Thoughts on The Terminator


Recently, director James Cameron started a public quarrel over what a strong woman looks like on screen. He’s angry that Wonder Woman, an obvious sexual objectification, should be considered a strong woman. It’s a step back for the movies! Well, you can imagine the woman who directed that movie did not take this kindly, nor decided discretion was the better part of valor… I know this is a very strange kind of controversy to come out of Hollywood, but these are strange times, and despite the silliness of it all, the question of how female protagonists face up to the world is important for American society in ways Hollywood used to reflect.

So says my friend Pete Spiliakos — we recorded a podcast on the DC movies seen through political philosophy — so we’re set to talk about strong women in film. He named his titles and, among them, The Terminator (1984). So you’re in for a treat for the next ACF movie podcast, as we see what a massive difference there is between the social situation of the earliest Boomers — see my recent movie essay on Nancy Meyers — and the very last Boomers, whose formative experiences were the late ’60s and the ’70s. Meanwhile, some thoughts you may not have encountered before on The Terminator, the movie that made Cameron and Schwarzenegger stars.


Contributor Post Created with Sketch. ACF #9: Batman, Superman, Wonder Woman


Hello, folks, this week’s podcast completes last week’s discussion of the Marvel Cinematic Universe with a discussion of the DC superhero movies. My friend and PoMoCon coconspirator Pete Spiliakos joins me–he is a columnist at First Things and writes for NRO, too. You can take my word for it, he’s the kind of conservative we need to hear more of!