Tag: “Trivial” Matters

If You Come At The King, You Best Not Miss


It was bound to happen, he’s been looking more and more like a conservative for a while now. So now they’re coming for David O. Russell, quite possibly America’s best working movie director. Russell has made some of the most beautifully twisted motion pictures, and just like Louis C.K. people are shocked to find that such essential creators are, or at least have been, pretty twisted themselves. C.K. makes jokes about the ugly thoughts most wouldn’t dare utter, David O. makes movies about an America off its rocker.

My purpose here isn’t to get into the thing that the director of The Fighter (2010), Silver Linings Playbook (2012), American Hustle (2013), and 2015’s Joy (possibly the most emphatic ode to Capitalism since Whit Stillman’s Barcelona) did a decade ago, nor do I care much to ponder on why the journalist Laura Bradley has decided to make it the public’s business; I’d rather just write a bit about a filmmaker whose movies deserve more attention from a justifiably Hollywood-weary right.

Only The Real Rick and Morty Can Save Us.


I’ll start by saying that my intention here is not to get anybody on the site to become a regular viewer of a raunchy SciFi cartoon, but I recommend reading the post below – and if you have time, watch the clips I carefully picked (in total, they shouldn’t take up more than 8 minutes). Rick and Morty is a show about God’s dislike for the blindly religious; meaning, of course, bureaucrats.

In Shambles (And They’re Glad)


Im’a school kids
and tease ’em and please ’em
For the treason,
that’s the reason
Im’a squeeze ’em
-Del Tha Funkee Homosapien, No Need For Alarm

There’s a saying you may have encountered if you know any liberals inclined to sympathize with the ugliness that followed George Floyd’s murder. They say, “If people loved Black people as much as love Black culture, there wouldn’t be a problem.” Most of the people who make this point are Black themselves, or they are young. My experience with the young ones has shown me a couple of things: most of them are talking about Rap music, and that their attraction to it is borne of the same feeling that motivated Norman Mailer’s “white negroes” of the late 1950s. Boredom.