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One of the most successful network executives ever laid down this maxim to a producer who insisted that a new cop show be “dark” and “real:” “America,” he said, “hates dark.” He’s right, of course. When audiences sit down to watch something, they rarely want to be depressed. Gripped, thrilled, grabbed, amused, scared, any or all of those things (and more) are okay … but plunged into a depressing and dark vision of the world? Not so much.
Sure, yes, a few “Dark Knights” may achieve escape velocity and make some real money at the box office, but — for day-in-day-out television viewing — it’s hard to make money that way. And it’s getting harder to make money in the movie theater that way, too. I write a bit about this in my column for The National, the English-language newspaper of Abu Dhabi:
There’s more than enough dark and depressing content on the front page of the newspaper, and audiences – at least in the United States – are expressing their bad-news-fatigue by changing the channel.