Tag: The Exorcist

Contributor Post Created with Sketch. ACF Middlebrow #19: The Exorcist

 

The podcast turns to horror, Catholic and scientific. I am joined by veteran and writer Scott Beauchamp to talk about William Friedkin and William Peter Blatty’s The Exorcist and about Russell Kirk’s views on horror — having read his very humanistic essay on horror in Modern Age. We talk about body horror as a way of confronting evil, of raising existential questions: Is being human special, after all, or just another meaningless accident? Next week, we turn to the scientific horror for comparison–The Thing.

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Boo! Sorry, did that scare you? Hopefully not. Because if it did, you might not be able to handle this special Halloween episode of the Young Americans. Jack and the gang discuss their most Millennial fears, their favorite horror movies, and whether horror can be respected as a genre or not. And if this episode […]

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Look what I found in the remainder bin at the bookstore? More

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I was a senior in high school when I first read The Exorcist. Frankly, I found the assignment odd, wedged in, as it was, between Crime and Punishment and King Lear. Although I hadn’t yet seen the movie, scuttlebutt had it that the film was just another tired horror tale filled with the ever greater gore that was, even […]

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Promoted from the Ricochet Member Feed by Editors Created with Sketch. The Exorcist, The Demon, and The One Who Is Not There

 

imageIt’s nearly Halloween, which means a cornucopia of horror movies on TV. Most of them are just awful, with a few masterpieces occasionally making the grade. Last night some cable channel featured Friday the 13th, Nightmare on Elm Street, and a couple of zombie features I’d never heard of. Frankly, the horror movie genre is in a slump. It’s zombies, zombies, zombies, all the way down and I’ve never understood their appeal. I have a pretty strong stomach — I always have anchovies on my pizza — but I demur when it comes to people eating people. I just don’t understand how they can be the luckiest people in the world.

For just over 40 years, The Exorcist has been the magnum opus of horror films. I’ve never completely understood how such a frankly religious movie has been transformed into a Halloween staple. Yes, it’s terrifying and — for whatever reason — people love to be terrified. But what makes it a perennial favorite, I think, is the gut deep fear that demonic possession may be possible. Nobody’s going to turn into a zombie or be resurrected as a member of the fraternity of the undead. But at a visceral level, most people believe fallen angels are more than superstition who literally, in the words of the Prayer to St. Michael, “prowl about the world seeking the ruin of souls.”

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