Tag: The Doggerel Days of Summer

Recommended by Ricochet Members Created with Sketch. Group Writing: Wherein I Add to My Volume of Nonsense Here

 

As we sit and lament two thousand twenty
Disease, riots, crackpots a-plenty
You might have avoided this verse in the long run
Had the days of July not been thirty-one

That should take care of the doggerel. So now let’s turn to Tweedledum and Tweedledee for some better “nonsense.”

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As a structural engineer, I spend a considerable amount of time each day thinking about things falling down. That may seem like an unusual mindset, but it’s critical in a systematic approach to structural integrity. If you don’t anticipate how a structure can fail; you can’t institute designs to address them in advance.   In […]

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Recommended by Ricochet Members Created with Sketch. Doggerel: Tools in the Toolbox

 

Colonel Brown, in formulating the Group Writing topic for this month, suggested various spurs for approaching the topic, including: “Tell us about your favorite or least favorite form of verse.” Poetic verse forms are tools. Every tool has its strengths and weaknesses. For instance, one can pound on things with a wrench, but it is better for turning nuts or bolts. One can also loosen a nut with a hammer, after a fashion, but the hammer is better as a tool to pound on things, such as nails. Poetic forms each have their uses, their strengths, and their weaknesses.

A haiku might be good for conveying an image, especially laden with a double or triple entendre or strong contrast. But it isn’t usually that good for conveying a long story. Sonnets are also great for contrasts, since a proper sonnet has a pivot or turn of thought. But being longer, it might have several images or even convey much more movement of thought and detail than a haiku could. As we look at the verse forms as tools, it is certainly possible for someone to say, “I like this one best.” But the question always lingers, “Best for what purpose?”

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When in the course of Ricochet events it becomes necessary for me to fill in days, bears awake from their disco caves. In this instance, we have an offering from Robert Frost, and another anonymous bit illustrated by Wallace Tripp. The Bear The bear puts both arms around the tree above herAnd draws it down […]

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Recommended by Ricochet Members Created with Sketch. A Day Late and a Doggerel Short: Rap and Henry VIII’s Tutor

 

I have spoken before of the fact that some “modern” developments in poetry are nothing new. For instance, rap battles are just an example of a much older practice known as “flyting” or “the dozens” or by any number of other names. Well, brothers and sisters, I am here to tell you that nothing about rap is new. As is said in Ecclesiastes, “There is nothing new under the sun.”

There is a relatively recent movie called Quartet about an elderly group of opera singers. One of the elderly gentlemen teaches a class about opera to kids. To get the kids interested and excited in opera, he first does research on what kids these days are listening to. In his lesson, he compares opera to rap and tells the youngsters that in rap, you bust a cap in a dude and shake out some rhymes, but in opera, you stick a knife in his back and sing an aria about it.

Contributor Post Created with Sketch. Recommended by Ricochet Members Created with Sketch. Stand Up for Something

 

Stipulated, I am no poet. Nevertheless, herein I offer a bit of what I understand to be free verse. It seemed to fit the thoughts and feelings of the moment. Doggerel it may be, but the contents, the realities behind the words, have been dogging my thoughts for some time.

Stand up!

Stand up for the children
gunned down on our streets.

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When the list is slow to fill, I bring out the bears. As it happens, there are several ursine poems, of one quality or another. Herein, find two. Rudyard Kipling tells a tale that is both compelling on its own and also intentionally a political warning about Russia. Yes, czarist Russia was heavily engaged in […]

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When one mentions doggerel, one name comes up more often. One man stands above the crowd. One man is a shining example of what not to do in poetry. Ladies and gentlemen, I give you the one, the only, the excruciating William Topaz McGonagall. Edinburgh Preview Open

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Contributor Post Created with Sketch. Recommended by Ricochet Members Created with Sketch. Doggerel and Pony Show

 

Any time you can get dogs and ponies, of any size, into the same act, you have a winner. Wallace Tripp got that combination down in splendidly ridiculous form in his 1974 illustrated book of verse A Great Big Ugly Man Came Up and Tied His Horse to MeThe moment after this month’s theme came to mind, Tripp’s title poem came to mind, both words and illustrations.

I have enjoyed the illustrations of Maurice Sendak, and Wallace Tripp throughout the years. Both laid down striking illustrations with pen and ink, often colorized with another medium. Wallace Tripp’s “book of nonsense verse” consists of children’s nursery rhymes and nonsense verse. Each bit of doggerel is perfectly played off by a preposterous scene. Consider the title poem:

As I was standing in the street,
As quiet as could be,
A great big ugly man came up
And tied his horse to me.

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There are two major monthly Group Writing projects. One is the Quote of the Day project, managed by @arahant. This is the other project, in which Ricochet members claim one day of the coming month to write on a proposed theme. This is an easy way to expose your writing to a general audience, with […]

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