I went and subscribed to DC Universe, the DC multi-media service which includes comics and streaming. So far, a few months out the former is nowhere near as extensive as Marvel’s Marvel Unlimited service, but it seems DC is going in a different direction with their app. As for Streaming, there’s a small helping of shows. Most of them are older films and classic television programming such as the original Wonder Woman show and black and white Superman or even Superfriends episodes which demonstrate the truth that the Jason Mamoa film tries to hide: Aquaman has always been lame.
DC Universe is creating original content as well; their first is Titans. So far, my feeling is that it’s not too bad, but not great. It’s a solid three on a scale of 1 to 5. Mostly it suffers from being a superhero program in a glut of superhero programs. By now we’ve had about ten years of the Marvel Cinematic Universe on big and small screen, and several Batman, Superman films as well, and plenty of DC television programs that are separate from the DC cinema. Titans is a latecomer and has to stick out in a market that’s glutted so bad, even I don’t feel pains missing a superhero film or tv show. However, it’s several leagues better than my least favorite series and favorite punching bag, DC’s Legends of Tomorrow (last season was also terrible, btw).
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In a comparison between the two giants of comic book entertainment, I’ve seen it stated that DC presents stories of gods and demigods – myths for modern time – while Marvel presents stories of human beings who happen to have powers. If any recent storyline presents that latter concept well it has to be the Netflix series, “Jessica Jones.”
You might recall a little Tom Cruise film from 2002 entitled Minority Report. The movie, based on a Philip K. Dick story, posited a world where three “precognitive” children — i.e., teenagers who lay in a bath of goo and have a limited ability to see into the future — are used to predict murders so that the police can stop them before they happened. This being a Philip K. Dick story, things of course go overboard and the police arrest and imprison people for future murders. The tale gets complicated when the protagonist is accused of future murder. Since this is a Cruise film, this involves serious chase scenes and action sequences before he’s finally caught. In the finale, we see how he was set up and it’s revealed that he’s been falsely accused. He’s released, the precogs are set free and they all live happily ever after on a secluded island without murder or chase sequences. But this being a Philip K. Dick story, the ending suggests that the finale isn’t real and that our protagonist is dreaming an all-too perfect end to his predicament while imprisoned in forced hibernation.
I frequently admit that I’m a sucker for superheroes. I love comic books, I love superhero movies, cartoons, and television shows. In fact, I consider myself fortunate as we seem to be in something of a golden age of superheroes on screen. Marvel has pretty much owned the big screen so far, coming up with at least one or two hits a year (though every year there are a couple of sour notes for them as well it seems). DC Comics, however, has quickly overtaken the small screen with good to great offerings like Arrow, Flash, Gotham, Constantine (now cancelled, cuss mah luck), and now, Supergirl.