Tag: oxford

‘You’ve Done It Again, Lewis!’: On the Enduring Worth of ‘Inspector Morse’

 

There are, it seems, about a million British detective shows on offer to American audiences (about a million to the power of ten when you add in all the other European sleuthing nationalities), from heart-pumping “Luther” to the more sedate “Ms. Marple’s Mysteries.” Having grown up without cable and had 90 percent of my television-viewing experiences before high school courtesy of WGBH, I have a definite familiarity with the full range of British television offerings (“Vicar of Dibley,” “Keeping Up Appearances,” and “Waiting for God” were all household favorites), but age prevented me from ever making the acquaintance of “Inspector Morse.”

It took until halfway through high school, when I had, in a rare coup d’état, actually managed to get hold of the solitary television clicker, to see the Inspector on Netflix and my mother in no uncertain terms demanded that he disappear after half an hour. However, I was hooked. Even within the diverse range of detective dramas, Morse is a quite singular property, elaborate plotted, skillfully filmed, chock-full of more obscure references than an Umberto Eco novel, and poignant without being sappy or sentimental. A genius product of pop culture. 

The titular Inspector is himself a bit of a departure from the typical flock of Brit detectives; an aging middle-class Englishman with an Oxford education, an accent that could only have come of childhood elocution lessons, and an equal love for real ale and Wagner. John Thaw’s piercing cornflower eyes and reserved expressiveness (perhaps a contradiction in terms, but entirely appropriate when one watches him balance the manners of an Englishman “of a certain age” with his innately virulent emotions) lend an odd sort of beauty to a character who is flawed both in body and soul. His eyes are most often crinkled in a decidedly contemptuous expression and, while he is as brilliant and sensitive as the brief background suggests, he is equally capable of cruelty and vanity. Along for the ride is his much more centered DS, Robbie Lewis, a cheerful Northerner with two kids, a wife, and every day worries.

Mitchell Sunderland is a freelance writer (Vice, Adult, Penthouse) known for his nuanced profiles on everyone from Stormy Daniels to Mike Tyson, Anne Coulter, Nick Jonas and more. His stories are insane, from growing up the son of one of the largest dog breeders in Florida and dealing with protestors for most of his childhood, to being banned from a gay safe space in college (he’s gay), to being the first American named to the 50 most hated people at Oxford list. He has profiled eclectic groups of people living at the Sausage Castle in Florida and the Bunny Ranch in Vegas. He and Bridget discuss why marketing something as only “representation matters” in the media can turn people off, why a lot of dog breeders don’t like Trump, how you can’t control what people think about you, and how you choose whether or not you’re a victim. It’s a wild ride.

**Warning** This episode is not for the easily offended and more explicit than usual

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The article, published in the Journal of Medical Ethics, says newborn babies are not “actual persons” and do not have a “moral right to life”. The academics also argue that parents should be able to have their baby killed if it turns out to be disabled when it is born. The journal’s editor, Prof Julian Savulescu, […]

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