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Today we’re concluding our conversations on Park Chan-wook, the most famous and successful director in South Korea, with the conclusion of his vengeance trilogy: Sympathy For Lady Vengeance. The protagonist is a femme fatale and a loving mother looking for justice and happiness, back to the virtues the harshness of pre-modern Korea cultivated in the situation of the modern new South Korea. This is a wonderful, if mostly tragic story, unusual, especially by American standards, and a show of the very different forms of storytelling in East Asia. My interlocutors are American professors — George Dunn teaching in China, and Peter Paik in South Korea. Listen and share, friends.