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For movies and television, the image is king and always will be. After all, they call them movies, not soundies. But since 1928 or thereabouts, most films have been made with live sound. Audiences usually want some degree of real-life to mingle with cinematic fantasy. Doing the show right from a technical standpoint is a key element in maintaining a viewer’s willing suspension of disbelief. Whatever you think of Hollywood, the polish and expertise of our technical crafts have led the world’s screens for more than a century, a good part of the gloss of an American success story.
Doing sound for the movies is a little different than doing camera. On a movie set, the camera is treated like a sacramental altar, with attendants performing guild rituals, a technical priesthood, and its own nearly incomprehensible jargon. Superficially, on the other hand, sound looks like an afterthought that seems easy to do — just stick a mike in someone’s face, wear earphones, and run a tape recorder. Simple, right? But it’s surprisingly hard to do it well, especially on the cramped confines of a noisy film set.More