Tag: Marvel

The Falcon and the Woke Soldier

 

Yesterday, I started watching the latest episode of Marvel’s miniseries, The Falcon and the Winter Soldier.  I did not finish the episode.  They are losing me with Wokeist nonsense.

Spoiler alert: This following will discuss the first five episodes of The Falcon and the Winter Soldier, as well as other Marvel movies.  If you don’t want to know, stop here.

Stan the Man and How He Transformed Comics

 

Comic books started out in the mid-twentieth century. Originally they were “kid stuff.” As the twentieth century ended they had become a major cultural influence. No man was more responsible for that transformation than Stan Lee. Stan Lee: A Life in Comics, by Liel Leibovitz explores Lee’s life in a biography revealing the man and his influence.

Born Stanley Martin Lieber in 1922, Lee grew up in New York City. Good with words, Lee grew up a reader, retreating into books and writing as his father’s career collapsed during the Depression. After high school, deciding to become a writer, he shortened his name to Stan Lee. Comics were not adolescent Lee’s main interest. He read and enjoyed the newspaper comics, but his real love was literature. Shakespeare and movies fascinated him.

Lee drifted into comics. After high school, following a series of unsuccessful jobs, he asked an uncle for help. His uncle sent Lee to Timely Publications, owned by another relative. Timely published pulp – anything that sold. The newest hot seller was comic books. Lee became the errand boy for comic book illustrators Jack Kirby and Joe Simon.

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Source, Rotten Tomatoes Audience Response: Captain Marvel – 62%The Incredible Hulk – 70%Iron Man 2 – 71%Captain America: The First Avenger – 74%Thor – 76%Thor: The Dark World – 76%Ant-Man and the Wasp – 77%Iron Man 3 – 78%Black Panther – 79%Avengers: Age of Ultron – 83%Doctor Strange – 86%Ant-Man – 86%Thor: Ragnarok – 87%Guardians […]

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Jim Geraghty of National Review and Greg Corombos of Radio America lament the loss of another GOP Senate seat as Democrat Kyrsten Sinema is declared the winner of the Arizona Senate race.  They’re also not surprised as North Korea is found maintaining and even enhancing its ballistic missile program with numerous undeclared sites.  They also react to National Review writer Kat Timpf being harassed at a New York City bar and being forced to leave because some people found out she worked for Fox News.  And Jim pays tribute to the late Marvel Comics legend Stan Lee.

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News has just reported that Stan Lee, comic book creator and favorite Marvel cameo has passed on at 95. He’s had health problems in the last few years, enough so he’s cancelled Convention appearances. He’s had quite a footprint in the entertainment industry at his passing. Thanks for the stories, Stan. Excelsior! Preview Open

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RIP Stan Lee — Comic Great and Cameo Favorite

 

Stan Lee
Photo by shutterstock.com

As I noted in an earlier post, Stan Lee, Marvel giant, co-creator of many of its titles and constant cameo in many of the Marvel Cinematic Universe films has passed away today at the age of ninety-five. He and Jack Kirby began Marvel Comics in 1961 with its first title, The Fantastic Four, and went on to create some of the most iconic characters in the genre: Spider-Man, the Hulk, and the X-Men as well as many others: Doctor Strange, Black Panther, and collaborated in the creation of Iron Man, Thor, and Ant-Man.

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James Gunn, the screenwriter/director of the Guardians of the Galaxy films, was allegedly fired for morally reprehensible jokes he made almost a decade ago. Jokes he has apologized for. But Mike Cernovich dug up the tweety dirt on him and now he’s been canned. Before these events something else happened which may have figured into […]

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I would like the first scene in Black Panther 2 to start in Asmara the capital of Eritrea. The architecture is beautiful as it was built by Italian futurists. In it, Captain America and T’Chala (The Black Panther King of Wakanda for those of you who aren’t geeks) open up an advanced vibranium hospital. (Vibranium […]

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ACF Middlebrow #9: Justice League

 

My friend Pete Spiliakos and I bring you a discussion of one of the few truly interesting recent cinematic events, Justice League. This was an example of the conflict between artists and businessmen. Zack Snyder, one of the lonely few examplars of first-rate Hollywood talent, had his work destroyed by a studio Warner Bros / DC hellbent on suicide. Warner had the greatest team in Hollywood working on their superhero movies–Christopher Nolan (as writer and director, also with his brother Jonathan in the writing role) and Zack Snyder. The only men who have any grasp on the epic and the tragic as genres and insights. They also made billions of dollars for the studio. So naturally, the studio destroyed their work. Listen and marvel with us at the good, the bad, and the very bad, and the worse.

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“Right now, America is in a state of fundamental moral conflict. On the one side, we have a group of people with incredible power available at their fingertips. Most of them have no desire to hurt anyone and simply wish to be left alone. A relatively minor few have abused that power and caused catastrophic […]

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The Marvel-ous Culture

 

Jon Bernthal as “The Punisher” (Marvel Studios)

I am not an aficionado of comic books. I can not argue the merits of Marvel vs. DC. The only comics-based movie I can attest to seeing in the theater was Superman with Christopher Reeve and that was in a whole different universe called “1978.” Fast forward 40 years and my wife suggests we sit down and watch a Netflix series called The Punisher. She hooked me with the words “former Marine.”

“Woke” Without Waking Up to History … and Real Life

 

Four days ago on the website of the SyFy Channel, film critic, screenwriter, and comic book author Marc Bernardin wrote about the 2018 slate of pictures to be released.

If 2017 was the tip of the representational spear, then 2018 will be the long shaft that follows. This year will deliver Black Panther, A Wrinkle in Time, Ocean’s 8, and Crazy Rich Asians — studio movies catering to historically underserved audiences, many of which are written and directed by members of those same audiences.

In other words, 2018 is the year that white dudes will be confronted with inescapable media that isn’t about them.

ACF #13 Political Conflict in Marvel and DC

 

I’m back with the second part of my long conversation with my friend Pete Spiliakos. We talked about girls becoming women in despite of society in ’80s movies last time. In the most surprising way, Pete picked horror movies to show social and psychological realism. Well, he hit it out of the park there, but then our conversation veered to the aesthetic, dramatic art and the political implications of the new business model of sequels and franchises. Like it or not, in an age of sequels and franchises, it’s no longer feasible to ignore the problem of sucky sequels.

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In talking to various nerd and geeks I have come to observe that there are two sorts of comic book fandom. The first is one that gravitates to particular artists and specific story lines. These sorts of fans gravitate to miniseries and graphic novels, like “The Dark Knight Returns”, “Watchmen”, or “V for Vendetta”. The […]

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I’m starting to feel like I go see these Marvel movies less out of general interest and more out of an obligation.  With Mel Gibson’s Hacksaw Ridge playing in the next theater (I’m seeing it tomorrow), it was like I was dragged kicking and screaming to Doctor Strange instead. If I were to rate Doctor […]

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Holy Failed Cinematic Universe, Batman!

 

Suicide_Squad_(film)_PosterIf the reviews are accurate — and I imagine they are — Suicide Squad is now the latest in a string of big-screen misfires from DC Comics. To find the last unambiguously good movie set a DC universe (though not in the this current one) you probably have to go back a full eight years to Christopher Nolan’s The Dark Knight. Many of the offerings since then have been indefensible; I can confirm this with Green Lantern, and I gather that both Jonah Hex and Batman v. Superman were trainwrecks, albeit of different sorts. The better offering, including The Dark Knight Rises, Watchmen, and Man of Steel are all worth watching, albeit with caveats. During the same period, however, Marvel has churned out more than a score of films which — a few duds aside — have tended to fall somewhere between serviceable (Thor II and Ant-Man come to mind) to excellent (Iron Man, The Avengers, Guardians of the Galaxy*Captain America II).

What gives?

The conventional wisdom is that DC has gone for dark and gritty while Marvel has gone for fun and spectacle. There’s a lot to be said for this; if your intent is to convince a lot of people to get off their couches and go to a theater, simply showing them a good time is probably a smarter bet than trying to depress them. (Interestingly, the gritty-vs-fun dynamic is largely reversed on the small screen, with DC’s television offerings tending for camp while Marvel’s have been gritty and violent; curiously, both are quite good). But I think the bigger problem is that Marvel’s made better choices in leadership while DC blundered in choosing Zach Synder to helm its franchise.

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The latest movie in the Marvel Cinematic Universe franchise, Captain America: Civil War released this past weekend to critical acclaim and huge box office numbers. I saw the movie and loved it. It’s definitely worth seeing for the amazing action set pieces alone. I was surprised that I also found the film’s central disagreement (which […]

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So I’ve been writing about the new season of Daredevil. Go to my website if you’ve seen it or at least know a bit about the character. Daredevil is the most realistic hero, because he is realistic about who we are: Both individuals with rights & freedoms–& human beings defined by our love of each […]

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Heroes, Violence, and the Devil’s Tempation

 

marvels-daredevilnEditors’ Note: This post contains spoilers regarding the first seasons of “Daredevil” and “Jessica Jones”, as well as references to other superhero movies and shows.

Given its dependence on violence, the superhero genre struggles under a childish reluctance to explore its implications. As a general rule, superheroes — exemplified by Batman and Superman — are not allowed to kill their antagonists, but are expected to bring them to justice and (hopefully) repentance. Villains don’t always live to commit another crime or threaten another city, but they are far more likely to meet their end through suicide or their own hubris, rather than at the end of a hero’s fists, blade, or — God forbid — gun. And even when this hero’s rule is broken (even Superman and Batman have killed), it’s rarely give the weight it deserves, and is often undone by the genre’s reliance on resurrection and reboots.

https://youtu.be/m5_A0Wx0jU4

Small Screen Review: “Jessica Jones”

 

jjIn a comparison between the two giants of comic book entertainment, I’ve seen it stated that DC presents stories of gods and demigods – myths for modern time – while Marvel presents stories of human beings who happen to have powers. If any recent storyline presents that latter concept well it has to be the Netflix series, “Jessica Jones.”

In fact, “Jessica Jones” is a very human story. Super-powered beings are integral to the tale, but initially the powers seem to be incidental to the characters. It takes some time for any powers to be used in earnest and in all honesty I think it does the series well. By using a slow burn, we get time to learn about the players in this tale. The powers don’t distract us from who these people are and what’s going on at the first.

Krysten Ritter plays the title character. She is a private investigator working in Hell’s Kitchen (a familiar location for those who saw “Daredevil”) in a dingy little office that is also her apartment. Ritter is a waif of a person, which contrasts well with her character’s super strength and attitude. Occasionally she does a job or two for attorney Jeri Hogarth (played by Carrie-Anne Moss). A nice, wholesome Midwestern couple approaches Jones in the first episode. She was recommended to them and they need Jones to help them find their missing daughter, Hope.