Ricochet is the best place on the internet to discuss the issues of the day, either through commenting on posts or writing your own for our active and dynamic community in a fully moderated environment. In addition, the Ricochet Audio Network offers over 50 original podcasts with new episodes released every day.
This was the year of Scorsese, even if only two people say so — the three-Oscar-winning writer-director-producer of the four-Oscar-winning Parasite, Bong Joon-ho — and me. Tarantino should have swept the Awards, but the Academy still desperately hopes that a sufficient number of sufficiently clever and sentimental auteurs will save cinema from the twin evils of Disney, perpetually snubbed, and Netflix, perpetually snubbed despite throwing hundreds of millions of dollars at winning a Best Picture Oscar.
Recent victorious auteurs include the insightful, but irresponsible enemy of liberalism Jordan Peele, the uninspired, sentimental Guillermo del Toro, his more insightful friend who’s absolutely clueless about the world we live in, Alejandro Inarritu — to say nothing of the other moralistic winners based on the hope that finally Hollywood will fix America’s race problems: Green Book, Moonlight, 12 years of slave…More
For many, the attacks on the Joker movie coming from media outlets like CNN and the New York Times are mystifying. But it is actually easy to understand once you see the movie and sleep on it.
Joker – a horrible yet great movie – is premised on an underlying tale of disregard for a humane interpretation of the values of empathy and social justice.More
“What would I do without you?” The Joker asks Batman in The Dark Knight. “You complete me.” He’s right in more ways than he realizes, as the newly released Joker shows: the Joker, by his very nature, needs Batman, and, more importantly, so does the audience. Because without the Dark Knight there to serve as a ballast, the Joker’s anarchic, twisted, disturbing nature, and Joker itself, becomes unbearably difficult to watch.
Admittedly, in terms of film qua film, Joker succeeds in what it sets out to do. It’s well directed, Joaquin Phoenix turns in an incredible performance as the titular character, and the story provides creepy insight into the psyche of its psychopathic subject. And in fairness, Phoenix’s Joker is not necessarily more evil than past incarnations of the character. Heath Ledger’s turn as the Clown Prince of Crime, for example, was just as twisted, just as nihilistic. Also, Batman: The Killing Joke featured a Joker committing acts just as depraved and horrific. These Jokers, however, did not exist in a vacuum, and the stories in which they’re present also feature counters to their dangerous ideology.More