Tag: joaquin phoenix

Contributor Post Created with Sketch. Phoenix at a Nadir

 

So, I’m at a diner last Sunday and the Oscars are on. But the sound was off. Which I considered Thomas Aquinas’ Sixth Proof of the Existence of God. So, as I glance up at the screen and the first award’s announced, Brad Pitt bounds onstage to grab it and I’m thinking “The man is 56. His hair’s gotta be getting a lifetime achievement award.” Actually, it was for best supporting actor, but either way, my not caring could’ve been measured in mega-tonnage till a waitress gets up and, much to my chagrin and over my internal screams of “C’mon, God, I’ll do anything you want if she just doesn’t–,” but it’s too late. She grabs the remote and doesn’t just flip on the sound, she turns it up to its “This is gonna ruin Richard’s night” level (for “Spinal Tap” fans, yes, that is higher than 11). Now, I’m in show business so I understand all the inner technical workings of how things go, but for the uninitiated, you know what happens when you turn the sound up on an awards show? Actors speak and you’re forced to listen to them!

Now, I’m not saying actors are dumb … just … lacking breadth. And … depth. But, to be fair, if you’re a world-class talent in anything, you’re probably focusing on that from a very early age and aren’t a walking library. My guess is as a teenager Serena Williams probably thought “Anna Karenina” was the Estonian qualifier she bageled the hell out of in Berlin last week.

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Contributor Post Created with Sketch. Writing on Oscar Movies

 

This was the year of Scorsese, even if only two people say so — the three-Oscar-winning writer-director-producer of the four-Oscar-winning Parasite, Bong Joon-ho — and me. Tarantino should have swept the Awards, but the Academy still desperately hopes that a sufficient number of sufficiently clever and sentimental auteurs will save cinema from the twin evils of Disney, perpetually snubbed, and Netflix, perpetually snubbed despite throwing hundreds of millions of dollars at winning a Best Picture Oscar.

Recent victorious auteurs include the insightful, but irresponsible enemy of liberalism Jordan Peele, the uninspired, sentimental Guillermo del Toro, his more insightful friend who’s absolutely clueless about the world we live in, Alejandro Inarritu — to say nothing of the other moralistic winners based on the hope that finally Hollywood will fix America’s race problems: Green Book, Moonlight, 12 years of slave…

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