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Thomas Cole, The Pastoral State
The second painting in the series is unique. It is Arcadia, the earthly paradise, in the Greek mode. Notice that nature is without strife in this painting. Our arts give us new powers–nature will toil for us. Hence, horse-riding and sailing boats are about human beings using natural motions for their own ends. The only evidence of natural strife comes in small details–rams butting heads, presumably during mating season. That and an odd, isolated man plowing, but with an ox. We see new arts arise–taming and shepherding animals. And yet, this is an apolitical situation. We only see one glint of metal–a strange character, obviously a soldier, but alone, resting.