Tag: Hollywood Conservatives

Contributor Post Created with Sketch. Recommended by Ricochet Members Created with Sketch. You Say You Want a Revolution, Part 2

 

Here’s what this post, and last week’s post are about: The cultural changes in the media that Ricochet readers don’t like didn’t happen by pure accident. They took decades. We propose equally patient, persistent, but ruthlessly effective efforts to push culture in another direction over the next 20-plus years. We are chewing over how to create or capture a big chunk of tomorrow’s media and the arts. It’s a myth that nothing can be done about the entertainment business. Success is Hollywood’s definitive history teacher.

@drewinwisconsin raises a tough point. He said, “So that’s probably why it’s important to try to change or break the current system rather than try to build an equivalent system that will have no users. Consider how much power and scope Google+ had, and it still couldn’t survive against Facebook. And that’s Google — already a malignant influence.”

Contributor Post Created with Sketch. Recommended by Ricochet Members Created with Sketch. You Say You Want a Revolution: What It Could Actually Take, a Series

 

A waiter comes over to a table of Jewish women. He asks, “Is anything all right?”

It’s okay; I can tell that joke! My wife is Jewish, and she thinks it’s funny. Remember when we could tell harmless jokes to each other? How about you, Ricochet reader? When you look at today’s culture, today’s mass media, see the movies, the TV shows, look at major media in general, ‘Is anything all right?’ This is aimed, but not exclusively, at social conservatives. I often spar with you but you deserve the cultural tools to defend yourselves. When it comes to subject matter, we’ll keep slugging that out the Ricochet way, on the Member Feed. This is about dealing with the media world outside Ricochet.

Contributor Post Created with Sketch. Recommended by Ricochet Members Created with Sketch. Hollywood Conservatives

 

On the radio: President Calvin Coolidge, being welcomed to Metro-Goldwyn-Mayer Studios by Louis B. Mayer.

He was born Lazar Meir. By the time he was America’s highest-paid man and the most powerful Hollywood boss in history, he’d done more than anglicize his name; he set the standard for a pioneer generation of studio chiefs who believed in America with the fervent, grateful conviction of people who’d seen the worst of what the Old World could do. Mayer kept a plaster elephant on his desk as a playful, or sometimes a not-so-playful reminder that MGM’s boss was no New Dealer. He was a delegate to the Republican national conventions of 1928 and 1932 and the state chairman of the California Republican Party in the early Thirties. He wasn’t alone, of course. There were always some Republicans and conservatives in Golden Age Hollywood, though those terms don’t always line up with our present-day understanding of them; stars like Ginger Rogers, Fred MacMurray, Barbara Stanwyck, and Robert Taylor, writers like Morrie Ryskind. There’s a scholarly monograph waiting to be written about that forgotten history, but this post isn’t it. With the greatest respect for the people and events of that era, there’s little or no living connection with the people and the issues of today. What has Hollywood Conservatism been in our own times? How is it organized, and by who?