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Time for summer viewings. Here’s an entry in our ongoing series on Hitchcock–the 1951 hit that made Hitchcock popular again, Strangers On A Train, kind of companion piece to Rope. Both are movies about murders committed out of enlightened immorality, one set among education elites in New York, the other among political elites in Washington. Both stories are about social climbers who have to face up to the ugliness of the elites they want to join and, therefore, warn of the problems post-war liberalism will face.
The podcast’s going back to Brian De Palma. My friend John Presnall and I are going to defend, from a conservative point of view, De Palma’s most indefensible sex and violence movie, Body Double. De Palma makes porn the mirror of Hollywood (the underground of Hollywood) and brings Hitchcock into the ’80s, with all the new scandals, but the same moralistic intention: Showing how society hides from evil and perpetuates it. De Palma criticizes the all-American ambition for success and popularity in order to defend man’s heroism. However vulgar, we all want to be a man and save the girl and beat the bad guy.
If you like old movies, one of the best ways to find out if a movie is worth your time is to be on the lookout for the one who directed the motion picture. And one of the finest directors of the preceding century was Sir Alfred Hitchcock. Alfred Hitchcock was born, in England, in […]
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