Tag: Happy Hank the Wife Slayer

Recommended by Ricochet Members Created with Sketch. A Day Late and a Doggerel Short: Rap and Henry VIII’s Tutor

 

I have spoken before of the fact that some “modern” developments in poetry are nothing new. For instance, rap battles are just an example of a much older practice known as “flyting” or “the dozens” or by any number of other names. Well, brothers and sisters, I am here to tell you that nothing about rap is new. As is said in Ecclesiastes, “There is nothing new under the sun.”

There is a relatively recent movie called Quartet about an elderly group of opera singers. One of the elderly gentlemen teaches a class about opera to kids. To get the kids interested and excited in opera, he first does research on what kids these days are listening to. In his lesson, he compares opera to rap and tells the youngsters that in rap, you bust a cap in a dude and shake out some rhymes, but in opera, you stick a knife in his back and sing an aria about it.

Recommended by Ricochet Members Created with Sketch. Now Is the Play of Our Discontent

 

When one thinks of great Russian literature, one does not associate it with the time period of Stalin. Venezuela probably has great literature in its history, but I doubt much of it is written today by some crony of Maduro. But such is the oddness of the English language and the English people that the greatest flowering of English literature happened during the time of an illegitimate, usurping dynasty that had its thumb squarely upon the people and the arts created, a dynasty that resorted to execution more than any since.

Some say Shakespeare was a genius for his accomplishments. But how much more of a genius was he that he accomplished all that he did in an oppressive atmosphere that saw many locked up or executed for offending the Tudor monarch? A play like Romeo and Juliet might not have been too dangerous. Classical comedies and tragedies were not too dangerous, especially when set in places like Italy. The Taming of the Shrew? Two Gentlemen of Verona? But Shakespeare delved into another realm altogether: the history play. With histories from far off in time, indeed, apocryphal histories, such as King Lear and Macbeth, danger was not so apparent, yet Shakespeare came closer in time, right up to the time of his monarch. And in the writing of these nearer histories, Shakespeare prostituted himself, becoming the propagandist of the Tudor Dynasty, or did he?