Tag: George Lucas

This week on “The Learning Curve,” co-hosts Cara Candal and Gerard Robinson talk with Cass Sunstein, the Robert Walmsley University Professor at Harvard Law School, and the author of The New York Times best-selling book, The World According to Star Wars. He shares what drew him to this topic, and why, after 45 years, these movies have become a $70 billion multimedia franchise and continue to have such wide intergenerational appeal. They review some of the classic myths and legends that influenced George Lucas, the brilliant creator of the films. Prof. Sunstein explains some of the larger civic educational lessons found in the space epic, including the war between the democratic Republic and the autocratic Empire, in which the Jedi Knights rebel against imperial tyranny. They also discuss the story of Anakin Skywalker, and his turn to the Dark Side; and the supernatural “Force,” that imbues a series classified as science fiction with a transcendent quality.

Stories of the Week: In England, university and student groups are opposing government plans to set minimum eligibility requirements for student loans. In New York City, Mayor Eric Adams is seeking an extension of mayoral control of the school district, which for the past 20 years has meant important oversight authority over the schools chancellor and most of the governing panel.

January 1977: George Lucas in Winter

 

Christmas 1976 rolled over into New Year’s Day and the Bicentennial year was over. A Democrat was about to take over the White House, always a happy event in Hollywood. As January began, the town went back to work, crafting 1977’s most hotly anticipated hits: A Bridge Too Far, with Sean Connery, Robert Redford, and Ryan O’Neal; a new James Bond, The Spy Who Loved Me; The Deep, from the author of Jaws; and a pair of highly touted dramas celebrating the viewpoints of women, Julia and The Turning Point. Woody Allen and Burt Reynolds also had movies on the way.

Everybody was poised to get rich or richer during the upcoming summer gold rush. But 20th Century Fox started the new year with a costly hangover. They’d spent two years backing a dubious novelty, the American Graffiti guy’s quirky tribute to the forgotten world of Flash Gordon serials, rumored to be something about a gorilla who flies a spaceship and a mystical force called “The Power.” From the screening rooms, word was filtering out: Star Wars was likely to be a loser—dull, confusing and corny, despite a couple of great special effects shots. The rough version was a mess and an unbreakable release date, May 25, was breathing down their necks. Thank God, Lucas stepped up and took charge of fixing it.

ACF Middlebrow #10: The Last Jedi

 

New podcast, new ideas, new controversies! This week, Pete Spiliakos and I talk Star Wars. We pick apart The Last Jedi to show you what is expected of competent mediocrity; how hard it is to get plots, characters, their conflicts, and relationships right; and how important it is to do so. We talk about how the audience is supposed to react to various characters and developments, thus connecting emotions to ideas to develop themes about the education of a new generation of leaders. Properly done, TLJ would have been a good story reflecting the innocence and incompetence of Millennials and their confrontation with Boomers who are both mythical and catastrophic. This is what middlebrow art is like — if only we aspire to it…

ACF Middlebrow#4 Star Wars!

 

James Lileks and I talk Star Wars. He’s from the generation that saw it in theaters; I’m from the generation that puzzled over why The Phantom Menace was a big deal either way. We talk about how America turned that one story into a national myth, changed Hollywood, and, 40 years later, a new generation is as bewitched as the old was. We talk about the new tack of the films — dark stories and diverse casts — and the future we’re inhabiting already: Gaming, online streaming and, inevitably, VR. A tech revolution is going to take over the story. Also, George Lucas comes in for remarks…

Member Post

 

Now we know what George Lucas thinks of a tyrannical totalitarian empire. I wonder what kind of movies Emperor Palpatine allowed? One of the reasons I retired is so I can make movies that aren’t popular. Because in the world we live in, in the system we’ve created for ourselves in terms of — it’s […]

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Member Post

 

Sixteen years ago, George Lucas commenced his ruination of the Star Wars universe with the release of Episode I: The Phantom Menace. Truly, it would have been difficult for Lucasfilm to create a more odious product. While The Phantom Menace set the bar so abysmally low that the latter two films seem palatable in comparison, the […]

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