Tag: Conservative Pop Culture

Contributor Post Created with Sketch. The Message Is the Tedium


My family and I went to see the new Wonder Woman movie over the weekend and enjoyed it, along with people all over the world. Yes, there is a feminist message inside the movie, which is to be expected when based on a comic book character designed from the very start to be a feminist icon. However, the message was pleasingly low-key and was balanced by the heroism of her male counterparts.

I must confess, after the insanity of creating a “safe space” for women to watch this movie without any men in the audience, I walked into the movie theater with some trepidation, expecting it to be Ms. Magazine with flashy CGI and a soundtrack. This did not happen, partly because director Patty Jenkins realized that a hero (or heroine, in this case) appears more heroic if what they do goes far beyond what even extraordinary humans can do. Fortunately, Steve Trevor (portrayed by Chris Pine) provides a male counterpart whose exploits could be compared (literally) to that of the gods. The female empowerment angle is still there, but it doesn’t get in the way of Wonder Woman being a darn good movie.

Member Post


There is not a lot more you can add to what’s already been said about The Ramones. They were the epitome of American Pop Culture. Perhaps, the last bastion of musical artists who were unapologetically jingoistic about it. Sure Joey might have marched in a few protests later on in his life, but Johnny’s willingness […]

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Promoted from the Ricochet Member Feed by Editors Created with Sketch. The Most Conservative Film I’ve Seen in Years


whiplash01I saw Birdman. Interesting movie. Michael Keaton was terrific. I never need to see it again. The first thing I did after watching Whiplash was to buy the Blu-ray.

What makes Whiplash so superb is that it doesn’t take the stock, convenient approach to its characters—the approach that a lesser film might have taken. A Whiplash in which J.K. Simmons’ Terence Fletcher is purely an evil, sadistic taskmaster and Miles Teller’s Andrew Nieman is simply the sympathetic underdog could have been a decent movie. Forgettable, but decent.