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So the ACF series on totalitarianism and cinema continues with our first Russian movie–the best movie of 2020, at that–Andrey Konchalovsky’s story of a young workers’ protest which turned into a Soviet massacre, indeed one so thorough that even knowledge of it, even the corpses of the murdered protesters, were suppressed. The artistic view of this evil deed opposes to ideology the private side of human life–a mother and daughter, the possibility of faith, the importance of burial. The movie is available in streaming and it’s a wonderful contribution to the recent European interest in stories about the evils of communism. @FlaggTaylor and I have talked about a lot of them, and we have some more upcoming!