Tag: Clint Eastwood

Contributor Post Created with Sketch. Recommended by Ricochet Members Created with Sketch. Money Talks, Bull-Schiff Walks: Viewing ‘Richard Jewell’

 

For the price of a movie ticket, you can stand up for truth, justice, and the American way! After Horowitz, we all knew how extensive the corruption and abuse of power was in the FBI, DOJ, and our national media. Two days later, Clint Eastwood released a movie exactly on topic, dramatically documenting earlier collusion between the same malevolent cast of characters. The response from Trump voters and supporters was telling.

The Democrats’ media wing told us that we should not support this movie. Now, with the Richard Jewell opening weekend box office counted, we know we let them win, again, just like we let them win 2018. Bank on the anti-Deplorable, anti-Trump selective hit job movie Bombshell to get plenty of support, reinforcing the left’s narrative. Trump voters can’t be bothered, and conservative media figures apparently are missing the significance, in the midst of the daily deluge of stories. So, Trump 2020 will not be Boris Johnson 2019. Change my mind this week: money talks, bull-Schiff walks.

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Promoted from the Ricochet Member Feed by Editors Created with Sketch. Thin-Skinned Media Can’t Abide Being the Bad Guys in ‘Richard Jewell’

 

“Clint Eastwood’s Richard Jewell — based on a true story — is a well-made, well-acted picture about a clear act of injustice against an innocent man,” Time magazine’s movie critic Stephanie Zacharek begins. “So why does it leave such a sour aftertaste?”

Criticism of the new film stems from the same source: thin-skinned journalists. Our brave firefighters are always eager to trash every group of Americans. Evil CEOs, corrupt politicians (at least those with an R after their name), and the troglodytes in flyover country have been bombarded with weak accusations and bad faith as long as the news media has existed. But when anyone points the finger at their misdeeds, the press cries foul.

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Jim Geraghty of National Review and Greg Corombos of Radio America look forward to Clint Eastwood’s new film about how the FBI and media convinced America Richard Jewell was the Olympic Park bomber back in 1996, ruined the man’s life, and obviously learned very little from this debacle. They’re hopeful the movie will tell the […]

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Contributor Post Created with Sketch. ACF#38: Unforgiven

 

Happy Fourth, everyone! After the celebrations, I recommend Unforgiven, the last Western, and the movie that first won Clint Eastwood the Oscar–two awards, Best Picture and Best Director, as well as a nomination for Best Actor. This is a very dark movie, but it is a very good movie. It is beautifully shot, but also sober. It is violent, but dignified. It’s a movie about what it takes to establish the equal human rights of all human beings, the human dignity we all sense in the fine words of the Declaration. It deals with the origin of law as we now know it in a sacred law that requires violence to put an end to violence, at least the chaotic violence of the Old West. It is also a reminder of the difference between law and order, which we tend to think of as identical or at least necessarily connected. But the movie shows order is perfectly compatible with treating some people as property, i.e., slavery.

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Recommended by Ricochet Members Created with Sketch. The 15:17 to Paris

 

Clint Eastwood is making a movie about the terrorist train attack that was thwarted by three Americans, two service members and all proficient in martial arts, when the terrorist’s AK-47 incredibly seized up giving them time to rush him and eventually subdue and hogtie him. According to news accounts, the three Americans will be played by themselves. Whoa! I can’t wait!

Here’s a video from Brazilian jiu-jitsu practitioners the Gracie brothers explaining how the men were able to go from zero to 60 to respond to the terrorist effectively. Also how to tie up a bad guy:

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Contributor Post Created with Sketch. ACF#3 Gran Torino

 

The movie podcast is back! @flaggtaylor and I are talking about the film Gran Torino, about Clint Eastwood’s last turn as actor-director, and his last great character, Walt Kowalski, an American with a legacy. We’ve got lots to say about who he is and how he deals with the world around him, what he says about America and what Americans are meant to learn from his story. It’s something we should have recorded during the election — it’s one of the few movies about making America great again that’s both serious, popular, and compelling.

This is the essay I mention in the podcast, over on National Review, about Clint Eastwood as a teacher Americans should learn from, about civic responsibility and manliness. And this is the book I mention on the podcast: Totalitarianism on Screen, about The Lives of Others, the great movie about East German communism. Flagg edited it and wrote it with our common friend Carl Eric Scott — who will also join me on the podcast as soon as I can get hold of him.

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Promoted from the Ricochet Member Feed by Editors Created with Sketch. Save or Kill – Ricochet Edition

 

save or killThis past weekend, I did a pop-culture post based on a game Collider uses on its website called “Save or Kill.” The premise is that you are presented with two icons, both threatened with being wiped from existence forever, and must choose which of the two to save; you cannot save both. The game works best when you really love both icons, so it becomes a real Sophie’s Choice.

That first post didn’t get as many responses as I’d hoped — though my thanks to those who did participate, and there’s still time to jump in! — so I’m tailoring the game in this post with options better-suited to the interests of the Ricochetti.

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Contributor Post Created with Sketch. Member Post

 

I’ve been writing about how social class has emerged in the work of the most successful contriver of popular spectacles, Marvel / Disney, who is never suspected of peddling anything but mindless fun. I am not really surprised at this development: Heroes in America tend to emerge in stories about protection–about caring for those in need […]

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Promoted from the Ricochet Member Feed by Editors Created with Sketch. Limits to Curmudgeonhood?

 

In a conversation last month, the subject of curmudgeonhood came up. There were some advocates of a minimum age restriction that would start somewhere around fifty. In short, their view was that curmudgeonhood was earned through experience.

My dictionary’s* definition of curmudgeon is: “A surly, ill-mannered, bad-tempered person; cantankerous fellow.”

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This one clip sums up the impossible choices modern soldiers are required to make. More

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