Jay begins with a toast from “La rondine,” Puccini’s opera; he ends with “The Lord’s Prayer,” sung by Leontyne Price on “The Ed Sullivan Show.” Lots in between, of course: including tributes to the jazz pianist and composer Claude Bolling; the jazz guitarist Pat Metheny; and the organist John Weaver. A delicious program.

Puccini, “Bevo al tuo fresco sorriso,” from “La rondine”
Fauré, “Reflets dans l’eau”
Bolling, “Baroque and Blue,” from Suite for Flute and Jazz Piano
Prokofiev, Piano Sonata No. 7
Metheny, “Have You Heard”
Weaver, Variation on “Sine Nomine”
Malotte, “The Lord’s Prayer”

What a strange title. What could it mean? That Jay addresses “The Well-Tempered Clavier” (both books), that masterpiece by Bach. And that he addresses music by Catalan composers. A successful mixture, we think you will find.

Bach, Prelude and Fugue in C major, “The Well-Tempered Clavier,” Book II
Montsalvatge, two songs from “Cinco canciones negras”
Mompou, “Secreto,” from “Impresiones íntimas”
Mompou, “Damunt de tu només les flors,” from “Combat del somni”
Fábregas, Elisenda, “Pluja brodada,” from “Imitació del foc”
Bach, Prelude and Fugue in F-sharp minor, “The Well-Tempered Clavier,” Book I
Bach, “Gigue” Fugue in G major

In 1913, Vachel Lindsay wrote “General William Booth Enters into Heaven.” It speaks of the founder of the Salvation Army. Peggy Noonan cited this poem in a recent column. In 1914, Charles Ives set the poem to music. You will hear it in this episode. Also a Beatles concerto (yes), a rag by an early Metropolitan Opera soprano (yes), some American standards, and, at the end, transcendent Mahler. Jay plays off a good amount of reader mail. An amazingly eclectic, interesting episode.

Shchedrin, Piano Concerto No. 1
Robison, “Think Well of Me”
Rutter, “Beatles Concerto,” first movement
Pinkard-Alexander-Mitchell, “Sugar”
Ives, “General William Booth Enters into Heaven”
Pinkard-Bernie-Casey, “Sweet Georgia Brown”
Case, “Metropolitan Rag”
Handel, “Rejoice greatly,” from “Messiah”
Mahler, Symphony No. 2, “Resurrection”

Jay has an assortment for you—some Bach, some jazz, some Russian, some French, a spiritual . . . It all ends with a thrilling “First Nowell.”

Bach, “Jauchzet, frohlocket,” Christmas Oratorio
Berlin, “White Christmas”
Bach, “Nun seid ihr wohl gerochen,” Christmas Oratorio
Gauntlett, “Once in Royal David’s City”
Trad., “God Rest Ye Merry, Gentlemen”
Chesnokov, “Gabriel Appeared”
Trad., “Il est né, le divin Enfant”
Trad., “Somebody Talkin’ ’bout Jesus”
Trad., “The First Nowell”

This episode is a real smorgasbord—works, mainly short, by Domenico Scarlatti, Rachmaninoff, Duparc, Stravinsky, Jonathan Dove, and Jerome Kern, among others. A tasty, diverse spread. You may well want it all.

Scarlatti, D., Sonata in G, K. 14
Rachmaninoff, Andante, Cello Sonata
Duparc, Lento, Cello Sonata
Lachenmann, “Five Variations on a Theme by Franz Schubert”
Stravinsky, Piece for Solo Clarinet
Shostakovich, Impromptu (for viola and piano)
Dove, “Fair Ship,” from “Under Alter’d Skies”
Kern-Tatum, “The Way You Look Tonight”

In honor of the recent “blue moon,” Jay plays four songs about the moon—two classical, two popular. He also has some Quincy Jones, some Cannibal Corpse (yup), some Villa-Lobos, and some Bruckner. Complain if you will, but not about a lack of variety.

Rodgers & Hart, “Blue Moon”
Bellini, “Vaga luna, che inargenti”
Dvořák, “Song to the Moon,” from “Rusalka”
Howard, “Fly Me to the Moon”
Jones, “The Streetbeater”
Cannibal Corpse, “Frantic Disembowelment”
Villa-Lobos, “Punch,” from “The Baby’s Family”
Villa-Lobos, “Lullaby” from “The Baby’s Family”
Bruckner, Symphony No. 4