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One of my favorite journals these days is The European Conservative, edited by the intrepid Alvino-Mario Fantini out of Vienna. Printed on heavy stock paper, its articles are adorned with fabulous reproductions of classic art, making it the kind of journal you’d happily put out on your coffee table alongside your gallery books from the Met or wherever.
Back in September I wrote on Power Line about how the magazine was dropped from the W.H. Smith newsstands because someone complained about a cartoon that appeared in the summer issue. Here’s the offending cartoon:
