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So the most conservative notable director of the last generation is Whit Stillman, who specializes in romantic comedies that hew closer to Jane Austen or, for that matter, Trollope, than to the rather more perfervid, not to say lurid, movies to which we have become accustomed. His debut was Metropolitan, a funny, melancholy story about the passing away of the debutante balls and the gradual reduction of the WASPs to ordinary Americans. It’s a lesson to young filmmakers in how to tell a story and look impressive without a budget–it got Stillman to the Oscars, to Cannes, and it opened up a career for him. For us, it’s a wonderful reflection on young men and women at their least offensive and it sheds light on the current very online conservative factions now developing.Published in