‘Give Me Your Hands, If We Be Friends…’

 

After years of shameless freeloading, I was finally compelled to join the Ricochet community this weekend. Would that I could say this action was prompted by a particularly persuasive entreaty by Rob Long which rendered further avoidance inconceivable. While I could defensively insist that it has long been my intention to become a member, I will refrain from offering excuses. My ultimate motivation for joining Ricochet was a heightened need, brought about by recent events, to seek a level of ideological kinship not presently available to me.

Beyond my nuclear family (i.e., parents and siblings), the circles in which I travel are overwhelmingly left-leaning. As an introverted, lifelong resident of the Boston area employed in the Arts, there is little opportunity to make any connections of a right-of-center persuasion. It is my sincerest wish that this forum will assist in filling that void.

It is my intention to post with some regularity. In addition to conservative/libertarian politics, my main points of interest include opera/operetta/classic musical theatre, Gilbert & Sullivan, Shakespeare, and silent cinema, and I expect that I will feel motivated to expound upon these and other topics with greater frequency than on politics. I hope that some of my fellow Ricochetti will find my musings of sufficient interest to indulge me.

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  1. Henry Castaigne Member
    Henry Castaigne
    @HenryCastaigne

    Rōnin (View Comment):

    Welcome. We are a fairly eclectic bunch around here – from art and music, to the finer points of a knife fight – you will find that we are inclusive with our own big tent.

    What kind of knife? Tactical or a spider knife?

    • #61
  2. James Lileks Contributor
    James Lileks
    @jameslileks

    Mark Camp (View Comment):

    James Lileks (View Comment):
    Welcome! I’m looking forward to the silent movie posts. Let’s fight! Lloyd, Chaplin, Keaton: choose two! Do Arbuckle and Langdon deserve to be up there with the big three? Brooks or Bow? Why don’t we remember Fairbanks’ comedies – was his the Bruce Willis of the day?

    James,

    Let’s give Xeno here a minute to freshen up and unpack, shall we? Maybe stop down in the lounge for a drink?

    He just got here, for goodness sake.

    Heh. You’re right. A good host lets people mingle instead of buttonholing them and oversharing. 

    • #62
  3. James Lileks Contributor
    James Lileks
    @jameslileks

    Xeno (View Comment):
    I have a particular soft spot for Lloyd;

    Me too. He’s the most American of the three, in so many ways. 

    • #63
  4. James Lileks Contributor
    James Lileks
    @jameslileks

    Xeno (View Comment):
    My understanding is that the most complete extant print is still missing a couple of segments. I saw a screening of this version in December of 2019, which was, at the time, recently restored.

    Did it have the original score? Because that work is amazing.  This new recording brings out things I never heard in the original, and you can only imagine sitting in the theater and feeling that organ pedal point at the end in your guts. A reminder that silent cinema – well, it wasn’t.

    From what I understand they were able to reconstitute the film after they discovered the score, because the cues referred to the scenes they kept finding in cans in closets in Argentina or Berlin or Topeka.

    • #64
  5. Hang On Member
    Hang On
    @HangOn

    James Lileks (View Comment):

    Welcome! I’m looking forward to the silent movie posts. Let’s fight! Lloyd, Chaplin, Keaton: choose two! Do Arbuckle and Langdon deserve to be up there with the big three? Brooks or Bow? Why don’t we remember Fairbanks’ comedies – was his the Bruce Willis of the day?

    Interested in your thoughts on pre-Hollywood Lang as well; I think Metropolis is the most visually astonishing piece of art to come out of Europe in the 20s.

    I was going to say I prefer my silent movies in German. Early Bily Wilder and even Hitchcock was cutting his teeth there. 

    • #65
  6. Xeno Coolidge
    Xeno
    @Xeno

    Caryn (View Comment):

    South End, Worcester Square.

    My father grew up in the South End, on Clarendon Street.

    • #66
  7. Xeno Coolidge
    Xeno
    @Xeno

    Caryn (View Comment):

    What kind of work do you do in “the Arts?”

    Once an aspiring opera singer, I changed tacks when the elephant in the room became too obvious to ignore; that I was woefully inadequate at singing opera.  I have settled for working in box offices, which I have done for the past fifteen years.  I will refrain, at this time, from revealing the identity of my current employer, but suffice it to say I work for one of the preeminent arts organizations in the country (nay, the world!), which should narrow down the list of possible candidates considerably.

    • #67
  8. Xeno Coolidge
    Xeno
    @Xeno

    James Lileks (View Comment):

    Xeno (View Comment):
    My understanding is that the most complete extant print is still missing a couple of segments. I saw a screening of this version in December of 2019, which was, at the time, recently restored.

    Did it have the original score? Because that work is amazing. This new recording brings out things I never heard in the original, and you can only imagine sitting in the theater and feeling that organ pedal point at the end in your guts. A reminder that silent cinema – well, it wasn’t.

    From what I understand they were able to reconstitute the film after they discovered the score, because the cues referred to the scenes they kept finding in cans in closets in Argentina or Berlin or Topeka.

    I have not yet heard this particular score.  The music for the screening I saw was provided by a gentleman from the New England area who specializes in an improvisational style of silent film accompaniment.  However his performance compares to the original score, I was not disappointed.  

    The few missing sections were replaced with production stills which served as placeholders for the missing footage.  If these passages have, indeed, been restored, I should not be sorry to stand corrected.

    • #68
  9. Jules PA Inactive
    Jules PA
    @JulesPA

    Welcome!

    Do you sing? Play an instrument? Both?

    • #69
  10. James Lileks Contributor
    James Lileks
    @jameslileks

    Xeno (View Comment):
    The few missing sections were replaced with production stills which served as placeholders for the missing footage. If these passages have, indeed, been restored, I should not be sorry to stand corrected.

    If you saw it in 2019, that was the latest version. I don’t think they’ve found anything since the 2010 restoration. The missing footage is not missing at all, if I recall correctly – it was just too damaged. About 20+ minutes were cut for the wide release, carving out an entire subplot, so it’s like finding a lost print of Empire Strikes Back that has almost a half-hour of Bobba Fett backstory. 

    • #70
  11. kedavis Coolidge
    kedavis
    @kedavis

    I got it for my silent-movie friend, and there’s just a couple scenes not yet completely restored, still.  They’ve done a really amazing job.  I remember when an earlier print was shown at a sci-fi convention I went to, and sometimes it felt like 50% or more title cards, saying what you were SUPPOSED TO BE seeing, but weren’t…

    • #71
  12. Steven Seward Member
    Steven Seward
    @StevenSeward

    formerlawprof (View Comment):

    But now you had me at Gilbert & Sullivan! (I spent a year in Old Blighty as a kid in the 1950s, and have seen and sung in many a performance.)

    I played a pirate in “Pirates of Penzance” in junior high-school.  Drew Carey played the role of Fredrick.

    • #72
  13. Morley Stevenson Member
    Morley Stevenson
    @MorleyStevenson

    Welcome!  I see that we share a number of interests and I look forward to reading your posts.

    • #73
  14. Dominique Prynne Member
    Dominique Prynne
    @DominiquePrynne

    Oh! Oh!  I’m so excited!  As a non-artsy person myself, I admire those that are and relish the learned guidance I can glean from others.  I look forward to your posts – artsy and not.  

    -DP

    • #74
  15. Caryn Thatcher
    Caryn
    @Caryn

    Xeno (View Comment):

    Caryn (View Comment):

    South End, Worcester Square.

    My father grew up in the South End, on Clarendon Street.

    If I remember correctly, there was a wonderful place for brunch on Clarendon.  Corner of…I don’t remember.  Also, last I looked for it, nearly 20 years ago, it was gone.  So sad.  It was VERY good.  Had my graduation day brunch there.

    • #75
  16. Charlotte Member
    Charlotte
    @Charlotte

    Welcome! What an elegant and gracious self-introduction.

    I really feel you on the “lonely conservative in the arts” thing. I have worked in or adjacent to museums, theaters, and libraries for the past 15 years; I am of necessity about as deeply undercover as a mob informant. The only in-person political conversations I’ve had since 2006 have been with Mr. Charlotte and my dad, so Ricochet is a salutary outlet.

    • #76
  17. Henry Castaigne Member
    Henry Castaigne
    @HenryCastaigne

    Charlotte (View Comment):

    Welcome! What an elegant and gracious self-introduction.

    I really feel you on the “lonely conservative in the arts” thing. I have worked in or adjacent to museums, theaters, and libraries for the past 15 years; I am of necessity about as deeply undercover as a mob informant. The only in-person political conversations I’ve had since 2006 have been with Mr. Charlotte and my dad, so Ricochet is a salutary outlet.

    But aren’t the lefties tolerant of everyone?

    • #77
  18. kedavis Coolidge
    kedavis
    @kedavis

    Henry Castaigne (View Comment):

    Charlotte (View Comment):

    Welcome! What an elegant and gracious self-introduction.

    I really feel you on the “lonely conservative in the arts” thing. I have worked in or adjacent to museums, theaters, and libraries for the past 15 years; I am of necessity about as deeply undercover as a mob informant. The only in-person political conversations I’ve had since 2006 have been with Mr. Charlotte and my dad, so Ricochet is a salutary outlet.

    But aren’t the lefties tolerant of everyone?

    Good one!

    • #78
  19. Mark Camp Member
    Mark Camp
    @MarkCamp

    Charlotte (View Comment):

    Welcome! What an elegant and gracious self-introduction.

    I really feel you on the “lonely conservative in the arts” thing. I have worked in or adjacent to museums, theaters, and libraries for the past 15 years; I am of necessity about as deeply undercover as a mob informant. The only in-person political conversations I’ve had since 2006 have been with Mr. Charlotte and my dad, so Ricochet is a salutary outlet.

    Like many who love to sing in choruses and choirs, I am in the same position. I belong to a very fine choral group controlled by aggressive religious progressivists who cannot imagine that there are doubters in their midst.  By repeating the party line that “singing is Unsafe, and Unsafe is not Virtuous, so singing is not Virtuous”, she maintains her virtuous reputation.  I am  100% undercover. I am waiting passively for the prog rulers to signal to our choral director that once again, “Singing is Good and has always been Good”, and erase from history the declaration that “Singing is Evil and has always been Evil”.

    • #79
  20. Rōnin Coolidge
    Rōnin
    @Ronin

    Henry Castaigne (View Comment):

    Rōnin (View Comment):

    Welcome. We are a fairly eclectic bunch around here – from art and music, to the finer points of a knife fight – you will find that we are inclusive with our own big tent.

    What kind of knife? Tactical or a spider knife?

    Glad you asked.  It’s kind of a mute point because I’m always packing a “roscoe” anyway (always bring a gun to a knife fight-just saying) as no matter how good I think I am with a blade, I know I’m not that good, and I’ve got the scares to prove it.  I prefer a fixed tactical, but when that is not practical, I role with a folder.  My two go-to daily carries now are a Tanto design/Damascus steel blade, made my a local blade smith here in south central Texas:

    And a ColdSteel Counter Point# 1 folder:

    Both are easy to carry and not that hard on cloths.

    • #80
  21. Henry Castaigne Member
    Henry Castaigne
    @HenryCastaigne

    Rōnin (View Comment):

    Henry Castaigne (View Comment):

    Rōnin (View Comment):

    Welcome. We are a fairly eclectic bunch around here – from art and music, to the finer points of a knife fight – you will find that we are inclusive with our own big tent.

    What kind of knife? Tactical or a spider knife?

    Glad you asked. It’s kind of a mute point because I’m always packing a “roscoe” anyway (always bring a gun to a knife fight-just saying) as no matter how good I think I am with a blade, I know I’m not that good, and I’ve got the scares to prove it. I prefer a fixed tactical, but when that is not practical, I role with a folder. My two go-to daily carries now are a Tanto design/Damascus steel blade, made my a local blade smith here in south central Texas:

    And a ColdSteel Counter Point# 1 folder:

    Both are easy to carry and not that hard on cloths.

    Knives make fighting a dude 100 pounds heavier than you way easier and I hear it’s more effective in close range combat than guns.

    • #81
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