The Tyranny of the Warm and Fuzzies

 

While reading Bari Weiss’s excellent essay “Stop Being Shocked” at Tablet, I encountered the phrase “therapeutic totalitarianism” from the Eastern Orthodox author (and occasional crank) Rod Dreher. I’m familiar enough with Dreher but do not follow him closely, but when I read his term I understood it immediately. It puts a name to the strange, bipolar philosophy on the left in which every person must feel positively affirmed about their manufactured identity, their apparently fragile minds soothed and cheered at all times by their government, their entertainment, their education, and their places of employment—that is, everyone who is a non-white and secularized progressive consumer. Everyone else must suffer for their sins at the hands of an avenging state.

Much has already been written about the consignment of us supposed “oppressors” to social gulags, and I won’t go into it further today. Rather, I’d like to reflect on the gradual rise of the therapeutic aspect from my vantage point as a millennial.

It was television commercials that alerted me; during the Obama years, I began to notice the way advertisements were crafted to make me think the product—a Honda automobile or an Apple laptop or what have you—would not simply enable me to accomplish the desired task, or raise my social status, or get me sex, but would let me finally, at long last, allow me to just, like, really be me, you know? I gradually came to call it humanist consumerism: the idea that a luxury product would allow me to realize and validate my authentic self. It’s a peculiar mix of Romantic ideals and crass materialism, both mawkish and cynical at once.

Then I noticed this on television shows themselves. America Ninja Warrior, the ultra-physical competitive event which rose to prime-time prominence over the last several years, was only partially, or even incidentally, about athleticism. Rather, at its bleeding heart were the feel-good narratives of overcoming adversity as told through the long interviews which made up a large part of the show’s total run time. I don’t watch much television, but every competition show of which I’ve caught a glimpse over the last several years has had the same format. They exist to soothe.

This transition is particularly prominent in videogames. The world of videogames is not what it was in the 80s and 90s. Over the last fifteen years, the videogame industry and its “journalist” apparatus (a glorified advertising platform, largely) has become stridently progressive and a bastion of activism by young, college-educated leftists. One of the most prominent sites is Polygon, a social justice-obsessed subsidiary of Vox which publishes material as vacuous as you’d expect. Notable examples over the years are an attack on a Polish company for creating a videogame set in a medieval fantasy Europe and not populating it with black characters and a long, incoherent tirade by a queer transgender Native American averring she had been “invalidated” by a game about Norse legend. The creators of the recent Assassin’s Creed: Odyssey, a campy action game set in ancient Greece, included a female warrior-hero who at no point is recognized by the game world as a female—a fact which would certainly have come up back during the Peloponnesian War. The developers explained that they did not want anyone to feel uncomfortable with the misogyny (a Greek word!) the heroine would certainly have faced. God forbid anyone feel uncomfortable in a game in which the player slits hundreds of throats. And there are endless such examples wherein the videogame industry, its customers, and its boosters bend all their efforts towards a comfortable numbness.

Many Americans have come to expect regular doses of opiate from their screens, and they demand it from their government, too. Doubtless, the Biden Administration will spare no effort in blessing its constituents with government-sanctioned warm and fuzzies. The government exists, after all, not to protect borders (racist) or ensure order (a construct of white patriarchy), but to make everyone us the best and happiest me that we can be—and may God have mercy on those who dissent from the government’s vision of what that is.

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  1. Vectorman Inactive
    Vectorman
    @Vectorman

    Western Chauvinist (View Comment):
    You gotta love the incoherence of the second message: “I’m part of an original crowd” implying uniqueness. Now, be just like me and conform! This might have been the beginning of the end of “counter-culture” on the Left. 

    That was the point of my original Rhetoric 101 paper. Got an “A” for the course, but … I’m … still … a … slow … writer.

    • #31
  2. Michael Brehm Lincoln
    Michael Brehm
    @MichaelBrehm

    James Poulos wrote a three-part essay in the Federalist a number of years ago about a phenomenon he dubbed the “pink police state.” It seemed to describe the therapeutic totalitarianism described above in great detail. Basically he described a system that curtailed civil liberties for “safety” and “hygiene” reasons while providing license for hedonism as an attempt to distract from the erosion of liberties.

    I’ve been meaning to revisit it: I confess I didn’t understand it entirely at the time, but I bet it would make more sense now.

     

     

     

    • #32
  3. Kephalithos Member
    Kephalithos
    @Kephalithos

    Michael Brehm (View Comment): James Poulos wrote a three-part essay in the Federalist a number of years ago about a phenomenon he dubbed the “pink police state.” It seemed to describe the therapeutic totalitarianism described above in great detail. Basically he described a system that curtailed civil liberties for “safety” and “hygiene” reasons while providing license for hedonism as an attempt to distract from the erosion of liberties.

    I’ve been meaning to revisit it: I confess I didn’t understand it entirely at the time, but I bet it would make more sense now.

    This piece starts with a good summary of Poulos’s argument.

    • #33
  4. colleenb Member
    colleenb
    @colleenb

    Kozak (View Comment):

    TBA (View Comment):

    I remember when Tomb Raider and Metroid were big. The creators took a risk that the primarily male video gamers would play games with female characters.

    Wasn’t a very big risk as it turns out, because people identify with the protagonist in a story. Unless they are so sexist or racist that they can’t.

     

    Well it helped that the female character in Tomb Raider had gigantic ……

    guns? I’m sure I don’t see anything else. 😉 

     

    • #34
  5. TBA Coolidge
    TBA
    @RobtGilsdorf

    Kozak (View Comment):

    TBA (View Comment):

    I remember when Tomb Raider and Metroid were big. The creators took a risk that the primarily male video gamers would play games with female characters.

    Wasn’t a very big risk as it turns out, because people identify with the protagonist in a story. Unless they are so sexist or racist that they can’t.

     

    Well it helped that the female character in Tomb Raider had gigantic ……

    …titling! Look at the size of those letters! 

    • #35
  6. TBA Coolidge
    TBA
    @RobtGilsdorf

    Western Chauvinist (View Comment):

    Vectorman (View Comment):

    David Foster (View Comment):
    Did these advertisers (or their agencies) conduct some in-depth psychographic analysis and segment the consumer universe into those who want to blend into the crowd and those who *don’t* want to blend into the crowd?…and then assign particular products as best marketed to these categories of people?…I doubt it, probably nothing involving that much deep thought…wouldn’t be surprised to see the same product advertised one week with the first approach, and the next week with the second.

    During my college years starting in 1970, I wrote a satirical piece for Rhetoric 101 based on these concepts. This was just after the campus riots in the late 1960’s. About the same time a small soft drink company changed their 1960 advertising from:

    to the classic 1977:

    Notice the 1960’s ad mostly states the unique taste, but (at 0:42) it states “Join the Proud Crowd.” By 1977, it’s all “get on the bandwagon.” Appealing to many of us Boomers, but not to me.

    You gotta love the incoherence of the second message: “I’m part of an original crowd” implying uniqueness. Now, be just like me and conform! This might have been the beginning of the end of “counter-culture” on the Left.

    The human condition demands that we believe we are unique and normative enough to be accepted. These dissonant ideas can only be reconciled through the purchase of consumer goods. Or protesting. 

    • #36
  7. kedavis Coolidge
    kedavis
    @kedavis

    Kozak (View Comment):

    TBA (View Comment):

    I remember when Tomb Raider and Metroid were big. The creators took a risk that the primarily male video gamers would play games with female characters.

    Wasn’t a very big risk as it turns out, because people identify with the protagonist in a story. Unless they are so sexist or racist that they can’t.

     

    Well it helped that the female character in Tomb Raider had gigantic ……

    Teenage boys like to identify themselves as character with gigantic….. ?

    • #37
  8. kedavis Coolidge
    kedavis
    @kedavis

    Western Chauvinist (View Comment):

    Vectorman (View Comment):

    David Foster (View Comment):
    Did these advertisers (or their agencies) conduct some in-depth psychographic analysis and segment the consumer universe into those who want to blend into the crowd and those who *don’t* want to blend into the crowd?…and then assign particular products as best marketed to these categories of people?…I doubt it, probably nothing involving that much deep thought…wouldn’t be surprised to see the same product advertised one week with the first approach, and the next week with the second.

    During my college years starting in 1970, I wrote a satirical piece for Rhetoric 101 based on these concepts. This was just after the campus riots in the late 1960’s. About the same time a small soft drink company changed their 1960 advertising from:

    to the classic 1977:

    Notice the 1960’s ad mostly states the unique taste, but (at 0:42) it states “Join the Proud Crowd.” By 1977, it’s all “get on the bandwagon.” Appealing to many of us Boomers, but not to me.

    You gotta love the incoherence of the second message: “I’m part of an original crowd” implying uniqueness. Now, be just like me and conform! This might have been the beginning of the end of “counter-culture” on the Left.

     

    And, of course:

     

    • #38
  9. Front Seat Cat Member
    Front Seat Cat
    @FrontSeatCat

    Yesterday evening a commercial came on for another new and improved cell phone.  It had all kinds of special perks to play games. I asked him why do adults play games on their phones? For one, who has time for that, and if you’re going to play a game, don’t you want to play with other people or on a big screen? 

    I’m very interested in Millennial and Gen-X thought (is there another generation name now?). You pinpointed the subtle “turn”. Obama. Something happened with that election and administration. It had nothing to do with Obama’s race personally, but all that you described started to emerge then, front and center in your face: ramping up of racism and reverse racism, multi-gender fluidity, conflicts between the sexes, loss of interest in marriage and starting families, loss of interest in tradition and patriotism, major changes in school curriculums, loss of interest in faith and increased anti-Semitism, legalizing pot, not prosecuting petty crime, and an overall increase of weakness, irritability, anger, dependency, not taking responsibility for one’s actions, and fear of not being politically correct, which the rules changed daily.

    Your generation and those to come were bombarded with this inversion of thought. A young girl asked me if I’d ever seen “The Social Dilemma” on Netflix – I have not, but this control (part of which Google is now being sued for) is very bad, and it is good that you recognize it. 

    • #39
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