Voice of Sanity from the Film Industry? Or a Cop-Out?

 

Imagine an actor allowing for racist themes in movies and television! An actor from the UK, Idris Elba, thinks that racist viewpoints should be included in films as long as they are included in the rating systems that we have already accepted. He thinks that censorship is not necessary:

Out of respect for the time and the movement, commissioners and archive-holders pulling things they think are exceptionally tone-deaf at this time—fair enough and good for you. But I think, moving forward, people should know that freedom of speech is accepted, but the audience should know what they’re getting into.

I wonder how long it will take for him to get blowback? I haven’t seen any yet.

Then again, I’m not on Twitter or Facebook.

What do you think about having a “racist warning” in the movie rating system?

Published in Culture
This post was promoted to the Main Feed by a Ricochet Editor at the recommendation of Ricochet members. Like this post? Want to comment? Join Ricochet’s community of conservatives and be part of the conversation. Join Ricochet for Free.

There are 58 comments.

Become a member to join the conversation. Or sign in if you're already a member.
  1. Percival Thatcher
    Percival
    @Percival

    Misthiocracy got drunk and (View Comment):

    Basically he appears to be arguing that all movies should be re-rated according to today’s standards rather than keeping the rating they received when they were first released.

    If you follow this idea to its logical conclusion, a whole lot of PG-rated movies would be reclassified with R-ratings. For example, Indiana Jones And The Temple Of Doom would have to be given an R rating due to the heart-torture scene.

    Also, how often would movies have to be re-rated? MPAA standards change all the time. Would all movies have to be resubmitted on an annual basis? There’s no way the MPAA would be able to handle that volume of work.

    This film is rated NW, for “No whiners.”

    • #31
  2. TBA Coolidge
    TBA
    @RobtGilsdorf

    Charlotte (View Comment):

    colleenb (View Comment):

    Susan Quinn (View Comment):

    GrannyDude (View Comment):

    Meh. “Racism” is in the eye of the beholder, and there are a lot of aggressively sensitive beholders.

    Also, it infantilizes the moviegoing public, who are capable of figuring out for themselves whether a film is objectionable to them.

    That said, Idris is at least on the right track.

    I agree, @GrannyDude, with your entire comment. I just think it’s interesting that no one is attacking him for allowing for “racism” in any form.

    First, give them time. Second, he is black so he can speak when others can’t/won’t (sigh). Third, he is one fine looking man (sigh in a different way from before 😊).

    You beat me to it. Idris can say whatever he wants **fans self**.

    So you’re saying Thor should have had a race changer rather than a sex change?

    • #32
  3. TBA Coolidge
    TBA
    @RobtGilsdorf

    Rodin (View Comment):

    Stina (View Comment):

     

    Rodin (View Comment):

    I think a more useful warning would be: “Not historically accurate” and “May Offend Your Worldview”. But I would prefer Idris’ approach to censorship.

    They already include “not historically accurate.”

    Well, a watered-down version that simply is intended to protect themselves from lawsuits. And it happens in the credits not on the medallion on the front of the story. When people read it, it’s yada yada yada. But seriously, children need to learn that entertainment is to truth what cartoon death is to real death.

    We could do a lot of good by eliminating all video format from classrooms. 

    • #33
  4. TBA Coolidge
    TBA
    @RobtGilsdorf

    I got a new rating system; big label on everything that says, “Warning: You May Not Like This So Look It Up On Your Damn Phone First!” 

    • #34
  5. Charlotte Member
    Charlotte
    @Charlotte

    TBA (View Comment):

    I got a new rating system; big label on everything that says, “Warning: You May Not Like This So Look It Up On Your Damn Phone First!”

    That works. Please implement nationwide. Thanks.

    • #35
  6. Weeping Inactive
    Weeping
    @Weeping

    Susan Quinn:

    Imagine an actor allowing for racist themes in movies and television! An actor from the UK, Idris Elba, thinks that racist viewpoints should be included in films as long as they are included in the rating systems that we have already accepted. He thinks that censorship is not necessary:

    Out of respect for the time and the movement, commissioners and archive-holders pulling things they think are exceptionally tone-deaf at this time—fair enough and good for you. But I think, moving forward, people should know that freedom of speech is accepted, but the audience should know what they’re getting into.

    I wonder how long it will take for him to get blowback? I haven’t seen any yet.

    Then again, I’m not on Twitter or Facebook.

    What do you think about having a “racist warning” in the movie rating system?

    If we do this, can we have Song of the South back? Will they stop threatening Gone with the Wind?

    • #36
  7. Weeping Inactive
    Weeping
    @Weeping

    Stina (View Comment):

    The disclaimer should be “culturally sensitive material.”

    I don’t know if I want the rating system to reflect it. Note that Dreamworks’ Prince of Egypt included such a disclaimer. As do some of the Assassin’s Creed games.

    Disney+ has labeled some of their older movies with a warning similar to that.

    • #37
  8. Susan Quinn Contributor
    Susan Quinn
    @SusanQuinn

    Weeping (View Comment):

    Stina (View Comment):

    The disclaimer should be “culturally sensitive material.”

    I don’t know if I want the rating system to reflect it. Note that Dreamworks’ Prince of Egypt included such a disclaimer. As do some of the Assassin’s Creed games.

    Disney+ has labeled some of their older movies with a warning similar to that.

    Just another example demonstrating that we are the only adults in the room. Everyone else has to have their hands held as if they were children. 

    • #38
  9. TBA Coolidge
    TBA
    @RobtGilsdorf

    Susan Quinn (View Comment):

    Weeping (View Comment):

    Stina (View Comment):

    The disclaimer should be “culturally sensitive material.”

    I don’t know if I want the rating system to reflect it. Note that Dreamworks’ Prince of Egypt included such a disclaimer. As do some of the Assassin’s Creed games.

    Disney+ has labeled some of their older movies with a warning similar to that.

    Just another example demonstrating that we are the only adults in the room. Everyone else has to have their hands held as if they were children.

    Religious people see themselves as Children before G-d. 

    I guess being secular means you can be children above all. 

    • #39
  10. Unsk Member
    Unsk
    @Unsk

    I guess I have a question.

    If there is no evil in movies, how can the “good” shine through?

    I know, I know I need to be stoned for such a thought because there is no “good” or “evil” to begin with. But if there were not Good and Evil ( like racism) in movies or other types of artistic or journalist media, then how would we know that “racism” is a “bad” thing if it is altogether erased from what we see?

    In those now banned fights between “Good and Evil”, like you kinda had in that ancient insipid series from clearly another racist era,  StarWars,  doesn’t really bad racism need to be in “the Pantheon” of really bad things right up there with murder, voting for Trump  and of course environmental plunder? Or otherwise how would our children know what it is and how bad it is?

    Another minor quibble. I think it was Walt Disney who thought you really needed really bad “evil” in your movies to really get the drama of the picture really worked up and going so that you could contrast  the good with it, otherwise things would be rather dull and your story would fall flat.   So I am a  thinking that if you ban racism or other  really “bad” things movies will be become quite dull and uniformly boring. But I guess our new Overlords, the Hard Left, does have a thing against “Fun” so I guess that’s OK.

    • #40
  11. Sisyphus Member
    Sisyphus
    @Sisyphus

    Weeping (View Comment):

    Susan Quinn:

    Imagine an actor allowing for racist themes in movies and television! An actor from the UK, Idris Elba, thinks that racist viewpoints should be included in films as long as they are included in the rating systems that we have already accepted. He thinks that censorship is not necessary:

    Out of respect for the time and the movement, commissioners and archive-holders pulling things they think are exceptionally tone-deaf at this time—fair enough and good for you. But I think, moving forward, people should know that freedom of speech is accepted, but the audience should know what they’re getting into.

    I wonder how long it will take for him to get blowback? I haven’t seen any yet.

    Then again, I’m not on Twitter or Facebook.

    What do you think about having a “racist warning” in the movie rating system?

    If we do this, can we have Song of the South back? Will they stop threatening Gone with the Wind?

    Gone with the Wind is safe on my shelf. All they can do is raise the resale value.

    • #41
  12. Sisyphus Member
    Sisyphus
    @Sisyphus

    Unsk (View Comment):

    I guess I have a question.

    If there is no evil in movies, how can the “good” shine through?

    I know, I know I need to be stoned for such a thought because there is no “good” or “evil” to begin with. But if there were not Good and Evil ( like racism) in movies or other types of artistic or journalist media, then how would we know that “racism” is a “bad” thing if it is altogether erased from what we see?

    In those now banned fights between “Good and Evil”, like you kinda had in that ancient insipid series from clearly another racist era, StarWars, doesn’t really bad racism need to be in “the Pantheon” of really bad things right up there with murder, voting for Trump and of course environmental plunder? Or otherwise how would our children know what it is and how bad it is?

    Another minor quibble. I think it was Walt Disney who thought you really needed really bad “evil” in your movies to really get the drama of the picture really worked up and going so that you could contrast the good with it, otherwise things would be rather dull and your story would fall flat. So I am a thinking that if you ban racism or other really “bad” things movies will be become quite dull and uniformly boring. But I guess our new Overlords, the Hard Left, does have a thing against “Fun” so I guess that’s OK.

    I’ve never seen a dramatic presentation without evil in it. In fact, a couple of months ago I spoke with a spectacular woman who told me she stayed away from movies with demons in them. I objected that they all have demons in them, there are just a few where they don’t manifest for the camera. Haven’t heard from her in awhile…

    • #42
  13. Jules PA Inactive
    Jules PA
    @JulesPA

    Since the definition of racist is now on shifting sand, what good is a warning? 

    • #43
  14. Jules PA Inactive
    Jules PA
    @JulesPA

    colleenb (View Comment):
    Third, he is one fine looking man (sigh in a different way from before 😊).

    Very, very fine. So very Fine. 

    • #44
  15. TBA Coolidge
    TBA
    @RobtGilsdorf

    Unsk (View Comment):

    I guess I have a question.

    If there is no evil in movies, how can the “good” shine through?

    I know, I know I need to be stoned for such a thought because there is no “good” or “evil” to begin with. But if there were not Good and Evil ( like racism) in movies or other types of artistic or journalist media, then how would we know that “racism” is a “bad” thing if it is altogether erased from what we see?

    In those now banned fights between “Good and Evil”, like you kinda had in that ancient insipid series from clearly another racist era, StarWars, doesn’t really bad racism need to be in “the Pantheon” of really bad things right up there with murder, voting for Trump and of course environmental plunder? Or otherwise how would our children know what it is and how bad it is?

    Another minor quibble. I think it was Walt Disney who thought you really needed really bad “evil” in your movies to really get the drama of the picture really worked up and going so that you could contrast the good with it, otherwise things would be rather dull and your story would fall flat. So I am a thinking that if you ban racism or other really “bad” things movies will be become quite dull and uniformly boring. But I guess our new Overlords, the Hard Left, does have a thing against “Fun” so I guess that’s OK.

    I remember the old Justice League cartoon. Earth’s mightiest (DC) heroes in a sort of world-protecting club. Each week a villain would be doing something-or-other that damaged the environment. After using their assorted superpowers to prevent fallout from whatever-it-was, they would catch up with the villain only to discover that he just had it wrong, and all they had to do was find a non-environmentally damaging solution and he could then be on his way, no harm no foul. 

    Perhaps we will get something like Wokewoman and the Legion of N.I.C.E™ who will simply explain to the person that [epithet] is inappropes and that the [ethnicity/minority] are actually made up of only good people. Unlike the person who is wrong and twisted – but, after a few days in the Chamber of Reeducation he’ll be cured, and possibly have a new gender. 

    • #45
  16. She Member
    She
    @She

    Well, it is a small step in the right direction that Idris Elba believes that films with outdated or offensive content should not be cancelled and cast into the memory hole forever.  He gets points for that in this day and age. Hope it doesn’t cost him his livelihood.

    I can’t help thinking though, that this insistence that every single thing must come with its own list of warnings, cautions, advisories and admonitions has gone too far.  In the case of merchandise, there are obvious legal ramifications–if the manufacturer of a product hasn’t taken into account every stupid thing a person might do with or to it, and has not explicitly warned against it, then the actions of a stupid person doing stupid things with or to their product might leave them open to catastrophic lawsuits.

    But in the case of entertainment, I think it’s different.  And I don’t buy the argument that we must label a movie or TV show with such granularity that we’ve covered every possible offense-causing base there is–racism, sexism, homophobia, transphobia, ageism, fatophobia, and so on.  It would be like putting a disclaimer at the beginning of the DVD of Super Bowl I announcing that vegans may find the name “Green Bay Packers” offensive (roots in the city’s meatpacking industry), Native Americans may find the name “Kansas City Chiefs” offensive (Raaacists!), and that KC fans may not feel safe at the end and may need to go find a place to snuggle with a puppy, because their team ultimately loses. 

    There’s some merit to the idea of a movie rating system that gives us a rough (sometimes very rough) idea whether or not a movie is suitable for children.  And perhaps to a system that identifies films with “mature” themes.  But I can’t see a need to go further than that.  As for the idea that we can decide for ourselves based on the rating, no thanks.  I never consider the rating now, and I certainly won’t then.  I’ll read about it, see it if I want to, and I’ll make up my own mind.  Sort of like I do with everything else.  

    Placing excessive reliance on any sort of external worldly authority, from government to movie ratings, and expecting that following its instructions or doing what it recommends will guarantee us a trouble-free, hurt-free, offense-free life is just folly.

    • #46
  17. Randy Webster Inactive
    Randy Webster
    @RandyWebster

    She (View Comment):
    It would be like putting a disclaimer at the beginning of the DVD of Super Bowl I announcing that vegans may find the name “Green Bay Packers” offensive (roots in the city’s meatpacking industry), Native Americans may find the name “Kansas City Chiefs” offensive (Raaacists!), and that KC fans may not feel safe at the end and may need to go find a place to snuggle with a puppy, because their team ultimately loses. 

    A lot of teams lost to the Packers in those days.

    • #47
  18. Percival Thatcher
    Percival
    @Percival

    She (View Comment):
    KC fans may not feel safe at the end and may need to go find a place to snuggle with a puppy, because their team ultimately loses. 

    • #48
  19. Lois Lane Coolidge
    Lois Lane
    @LoisLane

    Susan Quinn (View Comment):

    @colleenb and @charlotte, someone is going to call you out for being sexist. Don’t look at me!

    For the only time ever, when referring to either @colleenb@charlotte , or @julespa ‘s opinion on this actor’s good looks, I can say with no irony, “I’m with her.”

    :)

    I especially enjoyed him in the role of John Luther.

    • #49
  20. Jon1979 Inactive
    Jon1979
    @Jon1979

    Sisyphus (View Comment):
    I love Idris’ work, including as Heimdall in the MCU, but casting a black as a Norse God never made sense. As if Odin has an EEOC he is responsible to. (Although I can see Odin getting some hot brown sugar on the side and voila.)

    There is a fine line between movie producers, writers and directors taking original source material and trying to tweak it to make it more race/gender inclusive, and producers, writers and directors who care more about ideology than telling a good story taking an already successful property and attempting to graft their identity politics onto it, based on the idea that the material is a cash cow, and nothing they do to it can hurt the future film’s box office receipts.

    That’s the difference between turning Nick Fury from the white guy in the original Marvel Comics into Samuel L. Jackson, and the decision to make Bree Larson’s Captain Marvel into the most hyper-powered being in the Marvel Cinematic Universe, to the point she might or might not have been intended to be the one who took out Thanos in “Avengers: Endgame” until blowback from fans caused her part to be severely edited down. The former doesn’t change anything vital that Marvel fans grew up with in their world; the latter would have asked the audience to accept a new character coming in and bigfooting all the other characters they had cared about for the past decade, simply for gender wokeness purposes.

    But MCU v2.0 still reportedly is going to make Captain Marvel its focal point, and overpowering a character and making them virtually flawless for ideological reasons will likely work as well for Disney there as overpowering Rey and making her virtually flawless for ideological reasons worked for them in the recent ‘Star Wars’ trilogy. The same thing would apply to Elba as 007 — if MGM/UA wants it to work, they better do a script that allows the audience to identify with Bond and not turn him into ‘Super-Bond’ for SJW purposes.

    • #50
  21. ToryWarWriter Coolidge
    ToryWarWriter
    @ToryWarWriter

    They can do the opposite as the BBC is making shows that just ignore race entirely.  It was very jarring watching the Frankenstein Chronicles where their is a 19th century black cop and they make no comment on his race whatsoever.

    • #51
  22. TBA Coolidge
    TBA
    @RobtGilsdorf

    ToryWarWriter (View Comment):

    They can do the opposite as the BBC is making shows that just ignore race entirely. It was very jarring watching the Frankenstein Chronicles where their is a 19th century black cop and they make no comment on his race whatsoever.

    To my mind ‘fantasy’ which includes comic books, Medieval+magic, sf, in all its iterations such as, steampunk, alt history, etc. should get a pass – Heimdal was a god from a comic book rendition of Planet Asgard, after all. Jarring, yes, but able was I to see Elba in the role after quickly re-suspending belief. 

    And I don’t much care what they do in the theater because those people are all nuts anyway. 

    Where I draw the line is in things that purport to be history or historical. We do our children a disservice whenever we lie in a visual medium. 

    Perhaps we do need a ratings system after all; 

    WARNING: Film may contain Brainless Presentism or Ahistoric SuperMinorities. View at risk of becoming less educated.   

    • #52
  23. TBA Coolidge
    TBA
    @RobtGilsdorf

    She (View Comment):

    Well, it is a small step in the right direction that Idris Elba believes that films with outdated or offensive content should not be cancelled and cast into the memory hole forever. He gets points for that in this day and age. Hope it doesn’t cost him his livelihood.

    I can’t help thinking though, that this insistence that every single thing must come with its own list of warnings, cautions, advisories and admonitions has gone too far. In the case of merchandise, there are obvious legal ramifications–if the manufacturer of a product hasn’t taken into account every stupid thing a person might do with or to it, and has not explicitly warned against it, then the actions of a stupid person doing stupid things with or to their product might leave them open to catastrophic lawsuits.

    But in the case of entertainment, I think it’s different. And I don’t buy the argument that we must label a movie or TV show with such granularity that we’ve covered every possible offense-causing base there is–racism, sexism, homophobia, transphobia, ageism, fatophobia, and so on. It would be like putting a disclaimer at the beginning of the DVD of Super Bowl I announcing that vegans may find the name “Green Bay Packers” offensive (roots in the city’s meatpacking industry), Native Americans may find the name “Kansas City Chiefs” offensive (Raaacists!), and that KC fans may not feel safe at the end and may need to go find a place to snuggle with a puppy, because their team ultimately loses.

    There’s some merit to the idea of a movie rating system that gives us a rough (sometimes very rough) idea whether or not a movie is suitable for children. And perhaps to a system that identifies films with “mature” themes. But I can’t see a need to go further than that. As for the idea that we can decide for ourselves based on the rating, no thanks. I never consider the rating now, and I certainly won’t then. I’ll read about it, see it if I want to, and I’ll make up my own mind. Sort of like I do with everything else.

    Placing excessive reliance on any sort of external worldly authority, from government to movie ratings, and expecting that following its instructions or doing what it recommends will guarantee us a trouble-free, hurt-free, offense-free life is just folly.

    Exactly right. The internet is full of reviewers – we have several here on ricochet – and the advantage is that you can find people whose tastes and distastes align with your own and read his thoughts on a specific movie. 

    Government reviewers just stamp labels on things. 

    • #53
  24. Vance Richards Inactive
    Vance Richards
    @VanceRichards

    Jules PA (View Comment):

    colleenb (View Comment):
    Third, he is one fine looking man (sigh in a different way from before 😊).

    Very, very fine. So very Fine.

    Enough of this, ladies!

    Although, even as a straight man I have to admit, he’s a good looking man.

    • #54
  25. Charlotte Member
    Charlotte
    @Charlotte

    Vance Richards (View Comment):

    Jules PA (View Comment):

    colleenb (View Comment):
    Third, he is one fine looking man (sigh in a different way from before 😊).

    Very, very fine. So very Fine.

    Enough of this, ladies!

    Although, even as a straight man I have to admit, he’s a good looking man.

    Perhaps this thread would be more to your liking.

    • #55
  26. Miffed White Male Member
    Miffed White Male
    @MiffedWhiteMale

    Misthiocracy got drunk and (View Comment):

    Basically he appears to be arguing that all movies should be re-rated according to today’s standards rather than keeping the rating they received when they were first released.

    If you follow this idea to its logical conclusion, a whole lot of PG-rated movies would be reclassified with R-ratings. For example, Indiana Jones And The Temple Of Doom would have to be given an R rating due to the heart-torture scene.

    Which would be ironic, since that scene was one of things that led to the creation of the PG-13 rating in the first place.

     

    • #56
  27. Sisyphus Member
    Sisyphus
    @Sisyphus

    Jon1979 (View Comment):
    But MCU v2.0 still reportedly is going to make Captain Marvel its focal point, and overpowering a character and making them virtually flawless for ideological reasons will likely work as well for Disney there as overpowering Rey and making her virtually flawless for ideological reasons worked for them in the recent ‘Star Wars’ trilogy.

    Captain Marvel IS Mary Sue

    And the day came when they assembled a Mary Sue beyond all others…

    • #57
  28. The Reticulator Member
    The Reticulator
    @TheReticulator

    Susan Quinn (View Comment):

    Misthiocracy got drunk and (View Comment):
    Also, how often would movies have to be re-rated? MPAA standards change all the time. Would all movies have to be resubmitted on an annual basis? There’s no way the MPAA would be able to handle that volume of work.

    Just think of the thousands of new jobs we could create. Mis. We’ll just call them “re-raters”! Special training included!

    If it could be done by the agency that Winston Smith worked for in 1984, it can be done now.

    • #58
Become a member to join the conversation. Or sign in if you're already a member.