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Here’s another Eastern classic–after Kurosawa, a modern Korean movie by Park Chan-wook. George Dunn and Peter Paik and I discuss Oldboy, the centerpiece of the Vengeance trilogy, which won Park the Palme d’Or in Cannes. Korea’s transformation into a prosperous democracy and Oh Dae Su’s transformation into a superman go together to first conceal and then reveal the dark secret at the foundation of civil society: The sacred law on which politics is based is the family, which must obey public laws. This is tragedy in a modern setting, moving between the epitome of wealth and the underworld of crime, incredibly violent, but also strangely hopeful about the possibility of reestablishing civilization.