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ACF#3 Gran Torino
The movie podcast is back! @flaggtaylor and I are talking about the film Gran Torino, about Clint Eastwood’s last turn as actor-director, and his last great character, Walt Kowalski, an American with a legacy. We’ve got lots to say about who he is and how he deals with the world around him, what he says about America and what Americans are meant to learn from his story. It’s something we should have recorded during the election — it’s one of the few movies about making America great again that’s both serious, popular, and compelling.
This is the essay I mention in the podcast, over on National Review, about Clint Eastwood as a teacher Americans should learn from, about civic responsibility and manliness. And this is the book I mention on the podcast: Totalitarianism on Screen, about The Lives of Others, the great movie about East German communism. Flagg edited it and wrote it with our common friend Carl Eric Scott — who will also join me on the podcast as soon as I can get hold of him.
What’s next for Flagg and me? Jeff Nichols’s greatest success, Mud, starring Matthew McConaughey. We’ll be back.
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Published in Entertainment
Do you have a website where this can be downloaded? It makes it easier to put together a playlist if I can download it.
Agree. There must be a way to download from Sound cloud and then upload to a player. . .
Wow. That’s the first time I’ve seen a kindle book offered for 2.75 times the price of a new hardcover version.
One thing makes me skeptical about The Lives of Others (which I’ve seen three times): The Stasi officer Wiesler seems to lack the supervision and cross-checking that would take place in a well-ordered totalitarian state. How could the East Germans have governed if they really allowed that much individual freedom of action to their best Stasi agents?
Please don’t mix the audio for a “stereo” effect…unless it was just easier to do it that way. I normally listen with just one earphone, so it’s just a personal preference.
As an addition to your thoughts, the movie seems to ask and answer, “What good are Walt’s faculties and traits in today’s world?” The answer for his children is that they are not of use. They removed themselves from this grittier life struggle he sees and the Hmong family experiences. The neighbors see and experience the value of the traits that drive Walt’s actions.
And so, Eastwood seems to be saying we still need men like Walt to, as you say in the podcast, protect the innocent. Those that step forward to shoulder the responsibility do so at a cost to themselves. In that, there is a common thread with how American Sniper plays out. Walt or Chris can protect this world, but it is difficult for them to be a part of it once they walk the path of protector.
You guys brought back the joy of this movie. Good, good stuff. I have it in my library and will have to give it a watch after this!
You’re right about the mix–it’s done by the recorder of the skype conversation–it records the voices as left & right on one track… It’s not a happy thing, I’m trying to find a way around it!
Yeah, & there’s an implicit diffference between communities that recognize, they need some manliness, protection, & heroism–& communities that do not, but instead treat men as though they were mad or crippled…
Yeah–I’m looking forward to the new one, The 15:17 to Paris–about the American servicemen on the train in France, who stopped a terror attack on their vacation. That’s supposed to be less tragic than American sniper. I wonder whether he’ll show a way for men to live as part of the societies they protect. These guys are literally just part of the crowd until the moment comes…
Thanks!
Done! It now can be downloaded!
Thanks for noticing this–the way the upload works disables the permission to download, I have to go find it, which I have. I’ll know to pay more attention to future episodes…
I don’t get why that would be. Maybe it’s a skew because the book isn’t doing well in sales otherwise? It’s a shame, because Flagg & Carl have done a great job…
Well, I think I can find a way to get the authors of the authoritative account of the movie’s art & politics to answer that on a new podcast!
Here’s my take on the film in my Movie Churches Blog.
Good podcast, Titus and Flagg.
Thanks a bunch!
Still only partway through it, but I do have to nitpick a bit on the early segment where you are talking about Walt’s relationship with his own family. There is something left unsaid in there (and maybe you cover this later, I’m only about 20 min in) about him and his kids: he paid for them to not live in that same neighborhood and life as him (by sending them to college instead of factory work like him) and either he or his wife taught them to not choose the same path he followed. In so doing he also failed to teach them what to value in their old life, so they’re worldly in their new one. It’s a dynamic familiar to American families where a blue collar family encourages its kids to leave its economic roots without making them hold onto their cultural ones.
The one son we really see is substantially better off than his father ever was, and his own kids are even more spoiled. They’re embarrassed by their old ethnic blue collar life, with its cramped houses and ordered lifestyle, and this too is a social observation by Eastwood. His sons likely don’t even have any knowledge of what most of their dad’s tools do because he made it possible for them not to even need them. It’s a common dynamic in American life, one that I saw played out from my grandparents’ generation (the only slightly older WWII generation) to my parents’ generation. Toledo, Ohio was once known as “Little Detroit” for its many industries, and had its own broad ethnic mix. Now, like Detroit, it’s a shell of what it once was, with the boomer generation and then my own largely moving out and away, both for social and economic reasons, and simply because the jobs weren’t there anymore anyway. Their street was much like Walt’s (minus the immigrants), with street after street of the elderly WWII’ers living in decaying houses they could no longer keep repaired, and businesses and schools closed and shuttered.
So Eastwood is also noting that by and large they taught their kids to go move on and upwards and now wonder why they’re alone.
Those are excellent insights. Hadn’t thought about this.
My mother’s father was an engineer, just like my dad — similar lifestyles, houses, etc. But my mom and dad regularly took me to the farm where my father grew up. They dropped me off there for summer vacation sometimes, with my grandmother sending me out to climb in the haymow “because little boys are supposed to climb in the haymow.” I helped my uncle stretch wire, feed the cows, bale hay. I valued that as much as anything I have ever done and I can’t imagine being embarrassed by it.
I’ve seen it happen though. My best friend’s father (Boomer generation) was a siding contractor all his life, and the son of the same. Compared to the family patriarch (a WWII vet), the boomer generation fell a couple of rungs on the economic ladder due to some major mistakes, and they worked hard to instill in their kids (my generation) the notion that they had to move on an up. So my friend and his brother went through college and are doing considerably better. They haven’t forgotten their roots at all and remain close with their parents in no small part because they were always on the worksite with their father in the summers. But the brother married into a very white collar family, and they are very embarrassed by their “redneck” connection, and that has put an enormous strain on the family. They consider themselves too genteel for the rough work and rough humor.
My grandfather (the engineer) set off a bit of a bit of commotion in his choice of a bride. She was a second generation Latvian-American Lutheran, not a “here before Washington’s great-grandfather” WASP Presbyterian — clearly not one of our kind. They made the mistake of expressing this opinion to Grandfather. The very idea of that conversation still makes me laugh. Grandfather was a … um … resolute man. He could change his opinion when confronted with right reason. This was not right reason, and if he hadn’t already proposed, there was no power on Earth that was going to prevent him from doing so after that.
The punchline is that at the wedding, his widowed father met a woman; the elder sister of the bride. So my mom’s grandmother was also her aunt.
Some thoughts in answer to Skip. There’s one white boy in the movie, who acts like he listens to too much hip-hop–the black kids, who are already, harsh, lawless, & ready for outrage, treat him like dirt & Walt says, he can’t blame them. The boy’s a sissy. That’s one of Eastwood’s sons.
Now, to the family issues. Yes, Americans went in for Enlightenment from the beginning. Anyone who reads Christopher Lasch’s True & only heaven–an attack on Progress–can see the Enlightenment doctrine coming up with newer & more Progressive stuff every generation or two. For better & for worse, Americans have tied their destiny to their higher education system. It is part of the American religious-industrial complex. It is also the great betrayal of the social contract in our times. Well, I don’t want to talk a lot about it now, but it’s a big part of my writing on America lately.
Another thing about Walt Kowalski’s kids: They do live near enough him to have a kind of family life. They just don’t want to bother. It’s that they don’t want to enter a world of pain-
It’s been a while since I saw the film, but the impression I had was that they did live near enough to drive in for an afternoon, but far enough way that it was excuse not to come.
Yeah, they live in some part of Detroit that’s really suburban! They don’t want to go back to where they were born & raised-
That would be a wonderful circle to close. Thanks!
There was something else in the movie that I was wondering if you had thoughts about. There is a strong similarity in my mind between this movie and The Outlaw Josie Wales. They are both movies about community and reconciliation. Walt and Josie Wales are men who find themselves alone near the start of their respective movies. Loner isn’t the right word, but neither is looking for company. Over the course of the movies, community finds them and wants them there. In a way, it is a response to The Searchers, where Ethan Edwards can return his niece, but can’t cross the threshold back into the house at the end.
That’s a nice connection. That would put Walt in-between the two. He seems ready for community, willing; but he’s run out of life…