The current establishment art world cultivates insularity and isolation as a means to prop up the vapid, dysfunctional art they favor. From sterile white box galleries to haughty elitist attitudes, lots of effort is poured into erecting barriers to separate the experience of art from the despised masses and the realities of life.
But art does not exist to be plaything for decadent crypto-Marxist hipsters. It is a vital outpouring of the human soul, a visual method of spiritual communication. Art can take on surprising and spontaneous forms in the strangest places to remind us of who we really are.
A species of folk art arose when we started taking our wars into the skies. In World War I, for a time the fighting aircraft were painted with bright colors and bold designs that evoked heraldry, like pilots were knights jousting in the air. This was abandoned once it was realized camouflage-type coloration increased survival rates.
But even after the overall military plane paint jobs were made to blend the sky, water or land, the crews of planes created art on them, adding a little twist of character and personality in the midst of the industrial scale organization and danger of war.
These weren’t the polite expressions of a genteel upper crust. These images were the anonymous graffiti of common guys living on the edge. Pinup girls, cartoon characters, and catch phrases decorated aircraft that were made to engage the enemy, to kill or be killed. As bands of men were sent to face destruction or victory, they adorned their aircraft with images of jokes, icons of power and lovely ladies. That’s the spirit!
These were images that said we’re coming to kick your butts to protect the things we love. Such a meaningful expression of human endurance and defiance in the face of overwhelming adversity is completely lacking in the cloistered stylings of establishment art today. What our cultural institutions are serving up is completely inadequate for the troubled times we live in.
May we come to have an art world with the urgency of a beautiful woman painted on a mighty flying machine, sent off on a mission of life or death.
A version of this article originally appeared in the blog The Remodern Review. Visit for more commentary on the state of the arts.