In the Absence of Science

 

Science fiction writer Arthur C. Clark once wrote, “Any sufficiently advanced technology is indistinguishable from magic.” The converse appears true. In the absence of sufficiently advanced technology, magic substitutes.

The Magic Books: A History of Enchantment in 20 Medieval Manuscripts, by Anne Lawrence-Mathers, illustrates this. A history of medieval books about magic, it uses illuminated manuscripts printed from the ninth century through the sixteenth century, demonstrating European fascination with magic over that period.

Lawrence-Mathers shows why medieval society was deeply ambivalent about magic. The church opposed magic for theological reasons. Chief among them was free will. If individual fortunes could be predicted by magic, free will could not exist.  Christians believed all good things came from God. Magic was powered by devils and demons. Any benefit gained through magic was demonic and a false fruit. Any harm caused by magic was evil.

Despite this, she shows the church and princes were sponsors of and participants in magic’s use, underwriting the books presented in her study. Practitioners hedged their actions by staying within boundaries. Individual horoscopes were avoided, and predictions limited to general events such as weather forecasting. (Which proved no worse or better than today’s climate change predictions.)

The books presented testify to state and church patronage. The books are hand-written. They are also lavishly illustrated, elaborately illuminated, and meticulously bound. They are works of art as much as they are literary accomplishments. They were objects of serious study, kept in university, royal, and monastic libraries.

The Magic Books contains nearly 60 full-color illustrations taken from surviving works. They are elaborate, incorporating complex artworks, multicolor inks (including gold illumination) and complex fonts.

Most of these books study the stars; astrology mixed with astronomy. These books are less interested in the actual positions of the stars and planets than their nature – how their appearance influences human behavior. Yet there was practical application buried in them, including planetary ephemerides and calculations for predicting the Christian liturgical calendar.

Other subjects studied include chiromancy (palm reading) geomancy (earth divination, including casting lots) and sign reading. All claim to channel knowledge from the ancients: Egyptians, Babylonians, Persians, and Indians were felt to have hidden knowledge.

The Magic Books is a fascinating look at the human desire to bring order out of chaos. Lawrence-Mathers reveals the extent to which people throughout history will go for a better understanding of the world in which they live.

“The Magic Books: A History of Enchantment in 20 Medieval Manuscripts,” by Anne Lawrence-Mathers, Yale University Press, March 2025, 368 pages, $38.00 (Hardcover), $38.00 (E-book)

This review was written by Mark Lardas, who writes at Ricochet as Seawriter. Mark Lardas, an engineer, freelance writer, historian, and model-maker, lives in League City, TX. His website is marklardas.com.

Published in Book Reviews
Like this post? Want to comment? Join Ricochet’s community of conservatives and be part of the conversation. Join Ricochet for Free.

There are 16 comments.

Become a member to join the conversation. Or sign in if you're already a member.
  1. Susan Quinn Member
    Susan Quinn
    @SusanQuinn

    Sounds fascinating, Mark. I wonder if the Ebook includes the colored illustations; I’m guessing, not.

    • #1
  2. Seawriter Contributor
    Seawriter
    @Seawriter

    Susan Quinn (View Comment):

    Sounds fascinating, Mark. I wonder if the Ebook includes the colored illustations; I’m guessing, not.

    It does.  I have included a screenshot of one:

    Note that on a B&W e-reader they will appear B&W. You can see it in full color on your computer or if you have a full-color e-reader.

     

     

     

     

     

    • #2
  3. Susan Quinn Member
    Susan Quinn
    @SusanQuinn

    Seawriter (View Comment):
    Note that on a B&W e-reader they will appear B&W. You can see it in full color on your computer or if you have a full-color e-reader.

    I’m not clear on your suggestion. My Kindle only displays B&W, but is there a way to upload it on my computer, too, just to look at the illustrations? Sorry to be so dense…

    • #3
  4. Seawriter Contributor
    Seawriter
    @Seawriter

    Susan Quinn (View Comment):

    Seawriter (View Comment):
    Note that on a B&W e-reader they will appear B&W. You can see it in full color on your computer or if you have a full-color e-reader.

    I’m not clear on your suggestion. My Kindle only displays B&W, but is there a way to upload it on my computer, too, just to look at the illustrations? Sorry to be so dense…

    You can download a Kindle (or e-reader) app to your computer. Alternatively. if you go to the Amazon website for the e-book, it allows you to view the book on your computer. Try it with a book you already own. I’ll post full instructions later this afternoon if you haven’t figured it out by the time I am done at church. 

    • #4
  5. Susan Quinn Member
    Susan Quinn
    @SusanQuinn

    I can’t get my phone to screen the code, but I was able to go to my list of Kindle books and can see colored images by just loading them on my computer screen. So I guess I’m good.

    • #5
  6. She Member
    She
    @She

    Wonderful.  I’m definitely buying this one. This post fits well with a story I read this morning about a 700 year old manuscript containing part of the story of Arthur’s Merlin, which was sewn into a book as part of its cover about 400 years ago. Researchers used special imaging techniques to photograph and x-ray (that’s a vast oversimplification) the page in situ, where parts of it, too fragile to flatten out, remain folded against themselves and still sewn into the book’s binding.  Then they virtually reassembled the pieces in the right order on a computer.

    It is the only surviving fragment of a lost medieval manuscript telling the tale of Merlin and the early heroic years of King Arthur’s court.

    In it, the magician becomes a blind harpist who later vanishes into thin air. He will then reappear as a balding child who issues edicts to King Arthur wearing no underwear.

    The shape-shifting Merlin – whose powers apparently stem from being the son of a woman impregnated by the devil – asks to bear Arthur’s standard (a flag bearing his coat of arms) on the battlefield. The king agrees – a good decision it turns out – for Merlin is destined to turn up with a handy secret weapon: a magic, fire-breathing dragon.

    Really cool stuff.

    • #6
  7. Percival Thatcher
    Percival
    @Percival

    She (View Comment):

    Wonderful. I’m definitely buying this one. This post fits well with a story I read this morning about a 700 year old manuscript containing part of the story of Arthur’s Merlin, which was sewn into a book as part of its cover about 400 years ago. Researches used special imaging techniques to photograph and x-ray (that’s a vast oversimplification) the page in situ, where parts of it, too fragile to flatten out, remain folded against themselves and still sewn into the book’s binding. Then they virtually reassembled the pieces in the right order on a computer.

    It is the only surviving fragment of a lost medieval manuscript telling the tale of Merlin and the early heroic years of King Arthur’s court.

    In it, the magician becomes a blind harpist who later vanishes into thin air. He will then reappear as a balding child who issues edicts to King Arthur wearing no underwear.

    The shape-shifting Merlin – whose powers apparently stem from being the son of a woman impregnated by the devil – asks to bear Arthur’s standard (a flag bearing his coat of arms) on the battlefield. The king agrees – a good decision it turns out – for Merlin is destined to turn up with a handy secret weapon: a magic, fire-breathing dragon.

    Really cool stuff.

    The story of how they recovered the text is super cool, but I want the take. Those three paragraphs have whetted my appetite.

    • #7
  8. She Member
    She
    @She

    Percival (View Comment):

    She (View Comment):

    Wonderful. I’m definitely buying this one. This post fits well with a story I read this morning about a 700 year old manuscript containing part of the story of Arthur’s Merlin, which was sewn into a book as part of its cover about 400 years ago. Researches used special imaging techniques to photograph and x-ray (that’s a vast oversimplification) the page in situ, where parts of it, too fragile to flatten out, remain folded against themselves and still sewn into the book’s binding. Then they virtually reassembled the pieces in the right order on a computer.

    It is the only surviving fragment of a lost medieval manuscript telling the tale of Merlin and the early heroic years of King Arthur’s court.

    In it, the magician becomes a blind harpist who later vanishes into thin air. He will then reappear as a balding child who issues edicts to King Arthur wearing no underwear.

    The shape-shifting Merlin – whose powers apparently stem from being the son of a woman impregnated by the devil – asks to bear Arthur’s standard (a flag bearing his coat of arms) on the battlefield. The king agrees – a good decision it turns out – for Merlin is destined to turn up with a handy secret weapon: a magic, fire-breathing dragon.

    Really cool stuff.

    The story of how they recovered the text is super cool, but I want the take. Those three paragraphs have whetted my appetite.

    Yes.  Am I the only person wondering who–exactly–was underwearless?

    • #8
  9. Percival Thatcher
    Percival
    @Percival

    She (View Comment):

    Percival (View Comment):

    She (View Comment):

    Wonderful. I’m definitely buying this one. This post fits well with a story I read this morning about a 700 year old manuscript containing part of the story of Arthur’s Merlin, which was sewn into a book as part of its cover about 400 years ago. Researches used special imaging techniques to photograph and x-ray (that’s a vast oversimplification) the page in situ, where parts of it, too fragile to flatten out, remain folded against themselves and still sewn into the book’s binding. Then they virtually reassembled the pieces in the right order on a computer.

    It is the only surviving fragment of a lost medieval manuscript telling the tale of Merlin and the early heroic years of King Arthur’s court.

    In it, the magician becomes a blind harpist who later vanishes into thin air. He will then reappear as a balding child who issues edicts to King Arthur wearing no underwear.

    The shape-shifting Merlin – whose powers apparently stem from being the son of a woman impregnated by the devil – asks to bear Arthur’s standard (a flag bearing his coat of arms) on the battlefield. The king agrees – a good decision it turns out – for Merlin is destined to turn up with a handy secret weapon: a magic, fire-breathing dragon.

    Really cool stuff.

    The story of how they recovered the text is super cool, but I want the take. Those three paragraphs have whetted my appetite.

    Yes. Am I the only person wondering who–exactly–was underwearless?

    I figured it was Merlin. I’m wondering how the subject came up when Merlin appeared.

    • #9
  10. Percival Thatcher
    Percival
    @Percival

    “Sire, a balding child sans skivvies requests an audience.”

    “Wha…?”

    “He says his name is Merlin.”

    “Ah. Send him in, then.”

    • #10
  11. She Member
    She
    @She

    I looked into the author of the book reviewed in the OP, and she seems pretty solid (in the academic sense).  Almost certainly not a loon. Was interested to see that she’s published previously on “The True History of Merlin the Magician.” I just picked up the Audible book with one of my credits.  Will report back.

    Sooner or later, what goes around always seems to come around.   I can’t think of a better exemplar than the OP’s opening reference to the Arthur C. Clarke quote that “Any sufficiently advanced technology is indistinguishable from magic.”

    Boy, howdy.  Haven’t we just spent almost the past five years there?

    • #11
  12. Barfly Member
    Barfly
    @Barfly

    She (View Comment):
    I looked into the author of the book reviewed in the OP

    Did you find any connection to S.L. MacGregor Mathers?

    • #12
  13. J Climacus Member
    J Climacus
    @JClimacus

    Seawriter:

    Lawrence-Mathers shows why medieval society was deeply ambivalent about magic. The church opposed magic for theological reasons. Chief among them was free will. If individual fortunes could be predicted by magic, free will could not exist. Christians believed all good things came from God. Magic was powered by devils and demons. Any benefit gained through magic was demonic and a false fruit. Any harm caused by magic was evil.

    What’s interesting about the ambivalence of medieval society to magic is the progress it represents. Reading omens, fortune telling, casting spells, witch doctors, etc. were common practices historically the world over and there was no ambivalence about them. In the pre-Christian Roman Empire they were simply accepted as uncontroversial facts of life. The Christian West’s relationship to magic was like it’s relationship to slavery:  Slavery was an uncontroversial practice throughout history and the world; what distinguishes the West was it actually came to question it when no one else did. 

    I looked up what St. Thomas Aquinas, the premier Doctor (Teacher) of the Church in the Middle Ages, had to say about magic.  Question 96 of his Summa Theologica is “Whether it be unlawful to practice the observances of the magic art?”  He had this to say in response:

    I answer that, The magic art is both unlawful and futile. It is unlawful, because the means it employs for acquiring knowledge have not in themselves the power to cause science, consisting as they do in gazing certain shapes, and muttering certain strange words, and so forth. Wherefore this art does not make use of these things as causes, but as signs; not however as signs instituted by God, as are the sacramental signs. It follows, therefore, that they are empty signs, and consequently a kind of “agreement or covenant made with the demons for the purpose of consultation and of compact by tokens” [Augustine, De Doctr. Christ. ii, 20; see above (II-II:92:2. Wherefore the magic art is to be absolutely repudiated and avoided by Christian, even as other arts of vain and noxious superstition, as Augustine declares (De Doctr. Christ. ii, 23). This art is also useless for the acquisition of science. For since it is not intended by means of this art to acquire science in a manner connatural to man, namely, by discovery and instruction, the consequence is that this effect is expected either from God or from the demons

    In other words, magic doesn’t itself make anything happen because muttering words isn’t a cause of anything. To the extent that anything does happen, it’s only because some supernatural being made it happen in response to our words. Aquinas will later argue that God doesn’t work this way, so it would only be a demon responding to the words. Since demons only work for their benefit and not ours – they only deal with us to the extent that they can trap us – magical incantations should always be shunned. We should learn and work in the world the way God intended: By slow and patient learning of the causes of things.

    I think the causation doesn’t go “medievals didn’t have science so they indulged in magic”, but rather “science developed in the West because medievals began to doubt magic.”

    Of course, magic didn’t immediately disappear from the West, anymore than slavery did. It takes a long time for things deeply rooted in history and culture, once questioned by saints and philosophers, to finally fade from the general society. The temptation to magic seems an enduring part human nature in any case, as there is still plenty of magical thinking around. Who wouldn’t want to “manifest” wealth by just wishing it hard enough rather than working a real job?

    • #13
  14. Seawriter Contributor
    Seawriter
    @Seawriter

    J Climacus (View Comment):
    Who wouldn’t want to “manifest” wealth by just wishing it hard enough rather than working a real job?

    I think that attitude describes every Progressive – and explains USAID.

    • #14
  15. CarolJoy, Not So Easy To Kill Coolidge
    CarolJoy, Not So Easy To Kill
    @CarolJoy

    @jclimacus

    As far as — “What’s interesting about the ambivalence of medieval society to magic is the progress it represents. Reading omens, fortune telling, casting spells, witch doctors, etc. were common practices historically the world over and there was no ambivalence about them.”

    Astrologers to the royal courts in Europe  had a great predictive ability to foretell activities, both good and bad. I doubt this had much to do with the alignment of the stars or the phases of the moon. After all, as far as “fortune telling”,  a court astrologer was privy to all the personal tales of woe that his many clients expressed. He also had a good amount of knowledge based on gossip and rumor.

    So if Her Highness wanted to know if her dalliances were to be found out by the king, then when the astrologer went in and did a reading for that king, he had knowledge that was most un-astrologically connected as to whether or not the king should worry about his royal wife’s affections.

    Superstition is not actually magic, but acts in a similar manner. In reading histories of the pre-Elizabethan kings of England, I noticed that superstition was quite powerful.

    If a king sent his army and navy out to vanquish the nation’s foes, and if those forces succeeded, then it was thought that the king was righteously aligned with God.

    If failure came about, then the public questioned whether or not the king’s life style was viewed favorably by the Lord.

    • #15
  16. Seawriter Contributor
    Seawriter
    @Seawriter

    An Astrologer’s Song

    1 
    To the Heavens above us
      O look and behold 
    The Planets that love us 
      All harnessed in gold!
    What chariots, what horses 
      Against us shall bide 
    While the Stars in their courses 
      Do fight on our side? 
    2 
    All thought, all desires,
      That are under the sun, 
    Are one with their fires,
      As we also are one: 
    All matter, all spirit,
      All fashion, all frame,
    Receive and inherit 
      Their strength from the same.
    3 
    (Oh, man that deniest
      All power save thine own,
    Their power in the highest 
      Is mightily shown.
    Not less in the lowest
      That power is made clear.
    Oh, man, if thou knowest,
      What treasure is here!)
    4
    Earth quakes in her throes
      And we wonder for why!
    But the blind planet knows
      When her ruler is nigh;
    And, attuned since Creation
      To perfect accord,
    She thrills in her station 
      And yearns to her Lord.
    5
    The waters have risen, 
      The springs are unbound - 
    The floods break their prison,
      And ravin around.
    No rampart withstands 'em,
      Their fury will last,
    Till the Sign that commands 'em 
      Sinks low or swings past.
    6
    Through abysses unproven 
      And gulfs beyond thought,
    Our portion is woven,
      Our burden is brought.
    Yet They that prepare it,
      Whose Nature we share,
    Make us who must bear it
      Well able to bear.
    7
    Though terrors o'ertake us 
      We'll not be afraid.
    No power can unmake us
      Save that which has made.
    Nor yet beyond reason
      Or hope shall we fall - 
    All things have their season,
      And Mercy crowns all!
    8
    Then, doubt not, ye fearful - 
    The Eternal is King - 
    Up, heart, and be cheerful,
    And lustily sing: -
    What chariots, what horses
    Against us shall bide
    While the Stars in their courses 
    Do fight on our side? 
    • #16
Become a member to join the conversation. Or sign in if you're already a member.