I enoy the literary discussions on Ricochet. Each time we have one my reading list gets that much longer. In the past week or so we’ve talked about the most moving scenes in literature, the funniest scenes, and the books that have been turned into great movies -- and those are the ones I remember.

For years, I’ve been a collector of sentences. 

Tom Clancy could put together a great plot, but his sentences were mostly leaden. D H. Lawrence’s novels are filled with animal passion, but the prose is horrid. Vince Flynn is a master of the well-written action scene, but we don’t read him for the beautiful prose (don’t get me wrong, he can really write). 

Other writers are poetic, writing the occasional great sentence or paragraph, but their books just don’t hold together as stories.

The best writers combine plot, characterization, scene, dialogue, humor, and “felicitous” sentences. (Random House:  “Felicitous:  well-suited for the occasion, as an action, manner, or expression; apt . . . .”).  Jane Austen may be the best at combining all the elements.

For the most part the great sentences I’ll quote below come from great pieces of literature, but a great sentence can exist in an inferior piece of writing.

What do I mean by a “great sentence”? They come in many varieties. Some perfectly describe an event or scene. Some are pure poetry. Some state with clarity a beautiful truth. Others are perfectly hilarious.

The opening line of Pride and Prejudice is “all the above”: “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”

In political writing, Mark Steyn and Jonah Goldberg create memorable, telling sentences.

The Bible is filled with great sentences. How about these three from just the first chapter of Ecclesiastes?:

“One generation passeth away, and another generation cometh:  but the earth abideth forever.”  [KJV Ecclesiastes 1:4]

 “All the rivers run into the sea; yet the sea is not full; unto the place from whence the rivers come, thither they return again.” [KJV Ecclesiastes 1:7]

“For in much wisdom is much grief; and he that increaseth knowledge increaseth sorrow.” [KJV Ecclesiastes 1:18]

Great sentences can transform even the simplest scene into a spiritual moment. In Willa Cather’s My Antonia, Jim, the young narrator, and his friend Antonia visit two Russian bachelors eking out a living on poor, remote farmland. As they sit in the Russians’ ramshackle cabin, Jim, the young narrator, describes the sound of the wind (to be fair, there are three sentences here, but the first two lead in to the last one, which is perfect):  

 “The wind shook the doors and windows impatiently, then swept on again, singing through the big spaces.  Each gust, as it bore down, rattled the panes, and swelled off like the others. They made me think of defeated armies, retreating; or of ghosts, who were trying desperately to get in for shelter, and then went moaning on.” 

With its two similes and powerful verbs, Cather in this sentence creates an unforgettable image of the wind rolling across open prairie.       

Consider a single sentence from the “The Martyr,” a short story by the Japanese writer Ryunosuke Akutogawa. In 18 simple words, the author captures the essence of the passage of time: 

 “A year passed like a snowflake that falls into the river, a moment white and then gone forever.” 

For the young, time is glacial. But for people like me, who long ago passed life’s mid-point, this sentence describes time as we now experience it: a brief white moment, then forever gone.  

Or this very long sentence from the Robert Fagles translation of the Iliad, where Homer uses the advancing sea as a metaphor for the attacking Achean (Greek) army:  

 “As a heavy surf assaults some roaring coast,

piling breaker on breaker whipped by the West Wind,

and out on the open sea a crest first rears its head

then pounds down on the shore with hoarse,

rumbling thunder against some rocky spit, exploding salt foam to the skies—

so wave on wave they came, Achean battalions ceaseless surging on to war.”  

Because the sea was a constant presence to the Acheans (they fought with their backs to the sea throughout the decade-long Trojan War), it is a perfect metaphor for inexorable Achean battalions surging forward to destroy Troy. 

Finally, consider this sentence from Charles Frazier’s Cold Mountain. Ada and Inman, now reunited, contemplate their future together. A lesser writer might have written:  “The prospect of long happy lives together stretched out before them.” Instead, Frazier found a vivid, beautiful way of saying much the same thing: 

 “They would grow old together measuring time by the life spans of a succession of speckled bird dogs.” 

It's quite easy to tell a great sentence: after you read one, you think, "Wow!  I could die happy if I'd written that."

The floor is yours. Who writes great sentences?  Give us examples. What makes them great?  [Note:  Jane Austen sentences gratefully accepted in this thread].

Comments:


doc molloy
Joined
Feb '12
doc molloy

I notice nobody has quoted it but given the circumstances of the past few days Dickens first sentence in  A Tale of Two Cites captures all so well.. a tale of two worlds..

"IT WAS the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way- in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only."

It still stands tall and sure.. and what a sentence!

JimGoneWild
Joined
May '12
JimGoneWild

tabula rasa

Casey: Joseph Conrad's Nostromo 

Of his own country he used to say to his French associates: "Imagine an atmosphere of opera-bouffe in which all the comic business of stage statesmen, brigands, etc., etc., all their farcical stealing, intriguing, and stabbing is done in dead earnest. It is screamingly funny, the blood flows all the time, and the actors believe themselves to be influencing the fate of the universe. Of course, government in general, any government anywhere, is a thing of exquisite comicality to a discerning mind; but really we Spanish-Americans do overstep the bounds.

31 minutes ago

And some people say that Conrad can't write.  They need to read Nostromo. · 1 hour ago

Conrad was Polish, wrote in French, (and worked for a Dutch shipping company), so some of the credit goes to the translator.

Matt
Joined
Apr '11
Matt Blankenship
 

Conrad was Polish, wrote in French, (and worked for a Dutch shipping company), so some of the credit goes to the translator. · 9 minutes ago

I'm no Conrad expert--I've only read Heart of Darkness, and that was in college (15 years ago).  But I'm sure that he wrote in English.  All the more impressive, given that he was Polish, and I believe French was his second language.  He didn't learn English until his late twenties, and still managed to write like, well, Conrad.

CuriousJohn
Joined
Feb '12
CuriousJohn

Anne Rice paints a fill color masterpiece in the "Christ the Lord" pair of books "Out of Egypt" (2005) & "Road to Cana" (2008). I've been waiting for the 3rd book

Percival
Joined
Mar '11
Percival

I'm surprised no one has mentioned P. J. O'Rourke yet.

The foremost high-speed-handling characteristic of pickup trucks is the remarkably high speed with which they head from wherever you are directly into trouble.

and

Giving money and power to government is like giving whiskey and car keys to teenage boys.

David Knights
Joined
May '11
David Knights

Percival: I'm surprised no one has mentioned P. J. O'Rourke yet.

The foremost high-speed-handling characteristic of pickup trucks is the remarkably high speed with which they head from wherever you are directly into trouble.

and

Giving money and power to government is like giving whiskey and car keys to teenage boys.

21 minutes ago

 +1 Another great one.

Glenn the Iconoclast
Joined
Apr '11
Glenn the Iconoclast

Who was the fellow who wrote

I'm a stylist, and the most beautiful sentence in the English language is, "Gentlemen, the drinks are on the house."

?

Mr Tall
Joined
Aug '10
Mr Tall

Matt Blankenship

James Lileks: Re: Chandler - the reason some of the books don't hold together has to do with their origins in his short stories. He'd taken things he'd written for the pulps and mash them together . One puzzle made from pieces in different boxes. It's a testament to his talent that they work as well as they do.

Maybe that's why I like his short stories--seeTrouble Is My Business--the best. 

Matt, your comments on Chandler have been excellent; I couldn't agree more.

I'm the one who introduced the idea that Chandler's plots don't hold together, and I want to make sure that this discourages absolutely no one from reading him! He is one of the treasures of anglospheric literature, and when he's on his game (which is just about always) no one's prose is more incandescent, more evocative, more sit-back-with-a-sigh satisfying. 

flownover
Joined
Aug '10
flownover

All this Chandler talk, and I love him. But how we have forgotten about Dash Hammett, no great sentences , but his characters .... maybe we can speak of characters in the next groupthink.   Take Joel Cairo.............

Glenn the Iconoclast
Joined
Apr '11
Glenn the Iconoclast
flownover: All this Chandler talk, and I love him. But how we have forgotten about Dash Hammett, no great sentences , but his characters .... maybe we can speak of characters in the next groupthink.   Take Joel Cairo.............

Is there a more ideal Cairo than Peter Lorre?

dash
Joined
May '12
dash
Pseudodionysius: Mark Helprin. Its not even a contest. · Sep 15 at 5:21pm

My sister gave me Refiner's Fire back in the late 70's, and I hated it, and I mean really hated it. Threw it across the room at one point and never finished it, but I don't remember why. Now I think I need to go back and give it another go, with 30 years behind me.

dash
Joined
May '12
dash
I'm the one who introduced the idea that Chandler's plots don't hold together, and I want to make sure that this discouragesabsolutely no one from reading him! 

This is precisely why you can re-read Chandler forever--the intrigue is secondary, the prose and dialogue are evergreen. 

Glenn the Iconoclast
Joined
Apr '11
Glenn the Iconoclast

dash

This is precisely why you can re-read Chandler forever--the intrigue is secondary, the prose and dialogue are evergreen.

I don't remember where I ran across it (obviously an anthology), but I read a report Chandler wrote of, I think, an Oscar ceremony, and it was tremendous.  It's like reading Poe's literary criticism after reading his short stories.  You come to realize that these guys are well-read, thinkers, and masters of the language, not merely popular schlock-meisters.

Jack London was very nearly a communist, and a racist (although probably pretty middle of the road for his time), but reading his reporting and philosophical musing gives an entirely different perspective than reading only his action/adventure fiction.

Glenn the Iconoclast
Joined
Apr '11
Glenn the Iconoclast

A few years back the boss was asking me about a customer's satisfaction, and I don't remember where this came from, but I told him,

"She's okay, but she won't really be happy until she sees me dying of intestinal cancer in some remote corner of the globe where they haven't yet invented morphine."

(This likely deserves a conversation of its own.)


Would you like to comment on this Conversation?

Become a Member for $3.67 a month.

Join the Conversation
Already a member? Sign In
Loading

Start your shopping here!

Help support Ricochet by making your purchases through our Amazon links.

Welcome Visitor!
Join  or  Sign In

Become a Member to enjoy the full benefits of Ricochet:

Ricochet: The Right People, The Right Tone, The Right Place.  Join today!

Already a Member? Sign In