rooster-cogburn-then-and-now

Just finished watching the 2010 Cohen Bros. version of True Grit.  A couple of weekends ago I watched the 1969 John Wayne version.  (I am not sure which is better.)  So, I now want to have a son and name him Rooster Cogburn.  Either that or legally change my own name to Rooster Cogburn.

Anyways, Westerns are something I never really have gotten in to.  However, our Western mythology is pure American, and I (being a glutton for all things) want more more more more more.

I am perfectly willing to accept that True Grit, being superlative, has probably completely wrecked my appreciation curve, because it seems to me to be utter perfection: Alcoholism, guns, horses, untamed land, trains, Civil-War vets, more guns, Indian Territory, a Texas Ranger, men being hanged, a guy with an eye patch named Rooster [expletive] Cogburn, and of course, the quest for vengeance in its purest and most just form.

However, I am willing to entertain suggestions for other superlative Western novels or films (preferably the latter being streamable on Netflix).

So, friends, I turn to you.  Please suggest some other Westerns I might enjoy.

Comments:



Joined
May '11
Scott Graham

I've always enjoyed Silverado, El Dorado, McClintock, Magnificent Seven, and, interestingly, Quigley Down Under.

With the discussion of Magnificent Seven and Seven Samurai, I'm surprised no mention has been made of the other, "related" film... The Three Amigos. :) "It's...a sweater!"

Mama Toad
Joined
Feb '11
Mama Toad

Western Chauvinist: I can't top the earlier suggestions, but for animated westerns, you could try "Spirit: Stallion of the Cimarron" by Dreamworks. The excellent soundtrack is by Bryan Adams.

Note: No animals were injured in the making of this movie. · 7 minutes ago

Western Chauvinist, I love ya, but I cannot agree with a word you have said here, except that this movie was made by DreamWorks. This movie review sums up my feelings on this visually powerful but sickening movie indoctrination attempt. 

Illiniguy
Joined
Mar '11
Illiniguy

Red River, High Noon, Man Who Shot Liberty Valence, Stagecoach, the Howard Hawks' cavalry Trilogy, among thousands of others.

Wade Moore
Joined
Jul '11
Wade Moore
KarlUB: I would like to note one dog that is NOT barking, thus far. And, in my opinion, for good reason: The Searchers. · 1 hour ago

You seem to be implying that this movie is no good?  I love this movie!  Should be on any list of great westerns...

Misthiocracy
Joined
Aug '10
Misthiocracy

I was never a huge fan of westerns, but here's my list:

Post-Apocalyptic Movies That Might As Well Be Westerns

Edited on May 9, 2012 at 6:17pm
Doug Kimball
Joined
Aug '11
Doug Kimball

"Lonesome Dove."  Read the book first then watch the series.  This is an absolute classic.  Great story, characters, acting, scenery, music.  "The Unforgiven" also gets a nod from me - gritty, realistic, amazing.  "Silverado" is great.  I must say, I lean toward more modern stuff - better filmaking generally.   

KC Mulville
Joined
Jan '11
KC Mulville

What made the west such an interesting place? It had no law. Better phrased, the west was a place where people dealt with each other before social institutions were in place. We get to examine society and its institutions and conventions from the ground up.

  • Stagecoach was a study about honor, because personal honor is still at the heart of society. Ringo and Dallas had honor, even though "society" considered them outcasts. Unforgiven is also about honor, in an almost inverted way.
  • High Noon, The Man Who Shot Liberty Valance, and The Magnificent Seven were all about backing up your words with actions; i.e, courage. Any movie about the O.K. Corral has the same basic theme; even if the real-life story was more mundane.
  • One of the great ironic movie lines was from Butch Cassidy, after Newman and Redford kill people for the first time ... "now we've gone straight."

For me, the great westerns are all stories about the humanity beneath the institutions of society. That's why Silverado doesn't work for me; it's just a bunch of cardboard characters strutting around, who have nothing to say.

DrewInWisconsin
Joined
Aug '11
DrewInWisconsin
Diane Ellis, Ed.: Drew from Wisconsin asked for Western recommendations a few months back.  Overwhelming response.  Must be a favorite genre of the Ricochetoisie. · 11 hours ago

Yeah, I did. And I sheepishly admit I've barely gotten around to watching any. Started watching "High Noon" recently, but before I finished it, I gave it to my dad to watch while he was laid up with ankle surgery. Ah, well . . .


Joined
Dec '11
Greg Cook

Several have mentioned The Man Who Shot Liberty Valance, my personal favorite and a great movie for conservatives: Wayne as the rugged individualist with a sense of personal moral justice; Stewart as the defender of American legal principles. It's the most thoughtful of the classic Westerns.

And I second the vote for Lonesome Dove, a great miniseries that gives you time to really get to know and love the characters. The prequels and sequels aren't worth much time, though.

Finally, I have a soft sport for the Mel Gibson Maverick movies, which plays like a movie-length Boys Own western...or a really good episode of the old TV series.

Matt
Joined
Apr '11
Matt Blankenship

I especially second The Man Who Shot Liberty Valance, Shane, Lonesome Dove, both True Grits (but especially the Coen version), The Searchers, Rio Bravo, and Unforgiven.  I also like The Shootist, though it's been forever since I've seen it.  My personal favorite may be Liberty Valance.  Anything with Lee Marvin should be at the top of the list.  Two questions regarding Valance: 1) Of course Wayne is the hero, and Stewart is looked at as a bit of a fraud, living off a legend, riding a sort of a lie all the way to the senate...but whether Stewart actually pulls the trigger that kills Valance is really beside the point, isn't it?  After all, whoever fired the shot, it was Stewart (Stoddard) who had the courage to face Valance down in the street.  And 2) I love the Gene Pitney song.  Should they have found some way to incorporate it into the movie, maybe over the closing credits?  Or would it have ruined the mood?  I've read that Ford hated the song.

TheRoyalFamily
Joined
Nov '10
TheRoyalFamily

Brian Clendinen: "Cowboy Bebop"

 A sci-fi/Western  (really a western set in the future) Anima TV series and Movie (one 26 episode season and a movie). One of the best Anima series of all times. I think Whedon got his idea for Firefly from it (which I would add to the list). 

As far as foreign-animated sci-fi westerns go, I'd sooner go with Trigun. Cowboy Bebop is more noirish (though the comparisons to Firefly are spot-on; as an aside, nothing gets my nerd rage fired up more than people saying Firefly is anything like Outlaw Star, compared to Cowboy Bebop), while Trigun is much more actually western (though the sci-fi really starts kicking in towards the end).

Edited on May 9, 2012 at 5:33pm
John Grier
Joined
May '12
John Grier

Don't forget the the sequel to Lonesome Dove", the "Streets of Laredo" with James Garner, is also excellent. 

Also, John Wayne's last movie, "The Shootist", has not been mentioned.

If you enjoy a little humor as well, you may want to add, "Support Your Local Sheriff" to the list.

Richard Young
Joined
Mar '11
Richard Young

I'm sure these have been mentioned, but a couple of my favorites are :Once upon a time in the west (if only for the music) and The Professionals (with Lee Marvin and Burt Lancaster).  Another couple of favorites are The Bravodos (with Gregory Peck) and Chato's Land (even a man can admire Charles Bronson's chiseled physique).

Adrian
Joined
Nov '11
Adrian

I haven't seen his name yet, so just wanted to give a shout-out to John Ford, the great director behind many of the movies named so far.But if you watch his westerns and want more, you're in luck, because his non-Westerns (The Quiet Man with Wayne and O'Hara, The Long Gray Line about West Point with Power and O'Hara, and The Informer about the IRA with the inimitable Victor McLaglen, for starters) are even better!

Also, people mentioned High Noon and Rio Bravo, both great picks, and in case you don't know, Rio Bravo was made as a reply to High Noon, a film which infuriated John Wayne because it had so little faith in people (showing all the townspeople as cowards who abandon their sheriff). So Rio Bravo depicts a different, braver side of ordinary folk. It's sorta like occupied France vs blitzed England in terms of worldview, definitely worth watching them as a double feature to see two competing views of humanity.

In terms of recent Westerns, unfortunately a neglected genre, I would vote for The Proposition, set in the Australian outback.

Stuart Creque
Joined
Dec '10
Stuart Creque

Shane is not only the best Western movie, but the best movie of all time. Followed closely by High Noon.

Adrian
Joined
Nov '11
Adrian

Tuesday night on TCM, they're showing The Ox-Bow Incident, not a typical Western (it's basically a one-location stage play, only with people dressed as cowboys), but still very, very good.

Misthiocracy
Joined
Aug '10
Misthiocracy

I haven't seen it, but Jean Dujardin (the guy from The Artist) played the lead in a big-screen version of Lucky Luke.


Joined
Dec '11
Greg Cook
Matt Blankenship: I especially second The Man Who Shot Liberty Valance, Shane, Lonesome Dove, both True Grits (but especially the Coen version), The Searchers, Rio Bravo, and Unforgiven.  I also like The Shootist, though it's been forever since I've seen it.  My personal favorite may be Liberty Valance.  Anything with Lee Marvin should be at the top of the list.  Two questions regarding Valance: 1) Of course Wayne is the hero, and Stewart is looked at as a bit of a fraud, living off a legend, riding a sort of a lie all the way to the senate...but whether Stewart actually pulls the trigger that kills Valance is really beside the point, isn't it?  After all, whoever fired the shot, it was Stewart (Stoddard) who had the courage to face Valance down in the street. 

Matt, I agree with you. Both men are heroes, and it took both of them to deal with Valance. I like to think that Stoddard's knowledge of his own limitations made him a sadder but wiser man, and prevented him from ever becoming a corrupt politician.

Mont McNeil
Joined
May '12
Mont McNeil

I can't believe we've gotten to comment #59 without anyone mentioning Monte Walsh -- Lee Marvin and Jack Palance as two cowboys watching their way of life disappear as railroads made the trail ride a thing of the past, and Jeanne Moreau as Marvin's lover.  Or if you prefer, a more recent version with Tom Selleck and Keith Carradine (and Isabella Rossellini)

Matt
Joined
Apr '11
Matt Blankenship

Greg Cook

 

Matt, I agree with you. Both men are heroes, and it took both of them to deal with Valance. I like to think that Stoddard's knowledge of his own limitations made him a sadder but wiser man, and prevented him from ever becoming a corrupt politician. · 12 minutes ago

Yes, I should have been more clear.  Wayne is a hero too.  He sacrifices his chance at a life with the girl when he shoots Valance and saves Stoddard. 

Regarding Shane, I've long thought that part of its greatness is that it doesn't have Wayne in it.  As much as I like Wayne, he is such an overpowering presence that I can't help thinking "Now I am Watching a John Wayne Movie." 


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