Join Ricochet or renew and get 1 yearof National Review/Digital as a bonus!
I was a Lost junkie, and I'm not ashamed to say it. What did it for me more than anything was the iconography. The way the hatch looked, the interior of the Swan, the hieroglyphics when the button wasn't pushed in time, the orientation videos, the statue, and especially the blast door map. These things really kept me hooked, more so than the story (particularly the characterization issues of the second season).
On a side note, I was a little weirded out by the church scene at the end. Did we have to make it a point to see things from *all* the world's religions? I mean, except the Zoroastrians. Sucks to be them.
Become a Member to enjoy the full benefits of Ricochet:
Ricochet: The Right People, The Right Tone, The Right Place. Join today!
Already a Member? Sign In